Dark Web delivers a deeply creepy cautionary warning—albeit in the trappings of a relatively restrained R-rated horror movie.
Don’t Worry, He Won’t Get Far on Foot is filled with pain and anguish, contrasted with bright moments of hope.
Skyscraper is a CGI-infused hodgepodge of derivative bits culled from more memorable disaster thrillers.
All the awkwardness of early adolescence is here. Yet, it left me wondering why so much of it had to …
The one real, uh, wasp in the ointment in Disney/Marvel’s latest effort is this pic’s rough language quotient.
I kinda hope this movie itself is purged from theaters, and quickly.
Day of the Soldado is propelled by jarring, violently graphic imagery that seems designed solely to shock.
Is Uncle Drew’s water bottle half full or half empty? I think the best answer is yes.
It’s easy to wonder if this long-toothed, munch-a-man moviemaking template has been dug up too many times.
Ocean’s Eight gathers the usual shady content suspects—such as foul lingo, illicit larceny, boozy tippling and light sensuality.
While the characters have more meat to them than you might expect, their own flesh is all-too-frequently pierced
Whatever strengths the movie has, it doesn’t mitigate the content it wallows in to get there.
Adrift is one of those films that sails through some pretty major cinematic crosswinds.