Hostiles shows us, viscerally, that hatred and violence in any age are horrible things.
For a story that wants to give viewers a moral, universal fairy tale, its gratuitous moments sure restrict its potential …
The Shape of Water is an odd, beautiful, jarring, graphically problematic kettle of fish.
Explicit content turns The Disaster Artist into a bad movie about a bad movie.
Call Me by Your Name celebrates the lie of a culture that’s determined to crown every individual the king or …
Novitiate, like many of its characters, walks away from this curious form of faith a bit bewildered, a bit disgusted.
British writer/director Martin McDonagh paints a discordant picture here of an awful, provincialized middle America.
This coming-of-age film drills down into the intimate micro-contradictions of life even as it explodes onscreen with many visually problematic …
A Bad Moms Christmas is at times sweet, often silly, but almost constantly salacious.
The ’50s costumes and scenery look authentic. But then the whole shebang nosedives into something luridly witless, foul and bloody.
This reboot offers another excuse for its makers to mangle human flesh in order to reap box office rewards.
This film is like a cake made entirely of food coloring. It’s bad, plain and simple.
Though trailers for this film have tried to amp it up as a horror movie, The Snowman isn’t that. Instead, …
Comic book glances are only used to undergird the real focus here: the contorted sexual relationship and societal struggles of …
Both Blade Runner films lead us into an unseemly, seedy milieu in which humanity’s worst impulses have been augmented and …