Agent Carter

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Paul Asay

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World War II is over. Servicemen are coming home, and their wives and girlfriends—who not only kept the home fires burning but did the homeland’s riveting—are relinquishing their jobs and once again contemplating lives as expert homemakers.

Well, most, maybe. Not Peggy Carter.

A longtime agent for the country’s Strategic Scientific Reserve, Peggy feels more comfortable with a gun in her hand than a spatula. Besides, her own beau—a nice, uniformed chap named Steve Rogers, aka Captain America—never came home from the war. So why not take a shot at a career? It’ll give her a little something to do. Oh, sure, sticking with her job might not change the world, but—

Wait a minute … in Peggy’s case, maybe it will.

Agent Carter, ABC’s 2015 dip into the apparently fathomless Marvel pool, showcases a woman making her own way in a seriously testosterone-stoked world. It’s not just the bad guys giving her a hard time: They, at least, show Peggy some respect by treating her like the tough, competent threat she is. Her co-workers present a more mundane challenge. Sometimes her fellow agents seem to think she’s really best equipped to answer phones and fetch coffee while they do the real work.

Nothing wrong with making coffee, of course. But Peggy knows her true skills and passions lie elsewhere. So she heads out into the wilds of the streets—often without the agency’s knowledge—to right wrongs, foil nefarious plots and excise whatever evil might be afoot.

Help along the way comes from fellow agent Daniel Sousa, who sees that Peggy’s a true-blue friend and, admittedly, a knockout when she wears that red hat of hers. Also from Jarvis, the butler of her good buddy Howard Stark (Iron Man’s dad), who serves as her courteous chauffer, accomplished accomplice and constant comic foil.

Agent Carter is a stylish, sometimes violent romp of a show—a dramatic series with all the action and fun of a 1940s serial, but with modern sensibilities and 21st-century polish (read: more close-ups of the choreographed conflicts). While Marvel’s movies are all about high-flying muscular dudes in tights, and TV’s Agents of S.H.I.E.L.D. has become a gritty, almost Lost-flavored actioner, Agent Carter is a retro cloak-and-dagger humdinger that, at least early on, seems to carry with it at least a whiff of innocence from its 1940s-era setting.

Not that that sort of thing would ever stop Peggy from using her womanly wiles to make headway in her male-centric corner of the superhero universe—and that can mean wearing provocative outfits and smooching the occasional bad guy. And some of her chauvinistic cohorts make lewd comments.

That’s too bad. What isn’t is Peggy’s determination to, despite her lack of superpowers, do the right thing day after day, saving the world one secret mission at a time. And even if her co-workers don’t appreciate what a serious force she is, we’re meant to make up for it.

(Editor’s Note: Plugged In is rarely able to watch every episode of a given series for review. As such, there’s always a chance that you might see a problem that we didn’t. If you notice content that you feel should be included in our review, send us an email at letters@pluggedin.com, or contact us via Facebook or Instagram, and be sure to let us know the episode number, title and season so that we can check it out.)

Episode Reviews

Jan. 6, 2015 – S1, E1: “Now Is Not the End”

Longing to be out in the field instead of behind a desk, Peggy sneaks around behind her agency’s back to save Howard Stark from a bum rap—and get some deadly weapons out of the hands of America’s enemies while she’s at it.

To do that, she’s not afraid to use force. Or to play the flirt wearing a blonde wig and a tight cleavage-baring dress. She trades some suggestive banter with a baddie before knocking him out cold with her spiked lipstick. There’s talk of female figures and how many guys Peggy “knew” during the war. A waitress gets slapped on the rear and verbally abused by a customer—until Peggy threatens to kill the guy with a fork. An agent’s boss jokes about kissing him.

Two people are shot and killed by evildoers. (We see small, bloody wounds in their foreheads.) Punches and kicks give way to a pistol-whipping. A guy’s hand is smashed down on a lit stove burner before he’s thrown out a window. An oil refinery blows sky high. Peggy starts to take a swig of liquor to calm her nerves. She lies to her superiors. Profanity includes “d–n” (twice), “jeez” and “crikey.”

Paul Asay

Paul Asay has been part of the Plugged In staff since 2007, watching and reviewing roughly 15 quintillion movies and television shows. He’s written for a number of other publications, too, including Time, The Washington Post and Christianity Today. The author of several books, Paul loves to find spirituality in unexpected places, including popular entertainment, and he loves all things superhero. His vices include James Bond films, Mountain Dew and terrible B-grade movies. He’s married, has two children and a neurotic dog, runs marathons on occasion and hopes to someday own his own tuxedo. Feel free to follow him on Twitter @AsayPaul.

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