Contributor: Paul Asay

Being the Ricardos offers us a glimpse of Lucille Ball and Desi Arnaz that’s a lot grittier than their iconic onscreen characters.

Antlers symbolically suggests messages about child abuse and environmentalism—all in the context of a very bloody story.

HBO Max’s dystopian series is creative and compelling. But it’s also crass.

Swan Song is provocative, meditative and poignant. But its questions ignore some important answers, and it stirs in some unwanted—and unneeded—foul language.

This week on the Plugged In Show, we talk about Hollywood’s love of sequels and remakes before discussing Disney+’s Hawkeye.

Rumble teaches its viewers that it’s OK to be different—all without demeaning the importance of dedication or hard work. And that’s nice.

Tuttle Twins is a rare form of activism and entertainment that truly does entertain as it teaches a defined, conservative worldview.

The movie’s content issues are by far The Hand of God’s biggest drawback.

Artificial Intelligence is getting more intelligent all the time. And as our machines grow smarter, the entertainment industry grows more fascinated.

HBO’s Landscapers could’ve been more family friendly—if you wanted your family watching a dark comedy about murder.

The Erwin brothers’ new documentary The Jesus Music chronicles the rise of contemporary Christian music in its glory and flaws.

In this surprisingly intimate alien invasion movie, a devoted dad will do anything—good or bad—to keep his boys safe.

No Time to Die reminds us that even a more heartfelt and earnest take on James Bond still comes with perils and pitfalls.

Even when Christmas movies don’t dive into Scripture, they can still give families something they can all watch together.

This Amazon drama features a teen girl coming of age … in a forest, as she’s raised by her father to become an assassin.