Contributor: Paul Asay

Sometimes a movie is more, or less, than its parts. And the conclusion is where we tackle it all.

We’ll talk about a Christian movie that’s surprisingly risqué, and a secular movie that’s surprisingly Christian.

We’re more than faceless f-word counters. But find out why Plugged In counts them anyways.

A Hero reminds us—on multiple levels—that stories aren’t always what they seem.

While Euphoria tries to show us today’s “Teenage Wasteland,” the HBO show itself is a wasteland just as bleak and cynical.

Apple TV+’s reboot of the 1980s Fraggle Rock is faithful to the original in almost every respect—including its silliness.

In this episode, we talk about conflicting musical priorities and one of Star Wars’ most ethically conflicted characters.

This movie is a mess in pretty much every way you’d like to slice it. (And slice this movie does.)

Ever wondered why Plugged In has a Spiritual Elements section? We aim to answer that and other content-specific questions in this series.

The Tragedy of Macbeth is rated R for blood and violence, a reminder even classics can still contain problematic content.

If there’s a movie you’re interested in seeing, we’re interested in seeing it, too. And we let you know about some of them on this episode.

Mass is in its own way more difficult to watch than a slasher flick. Here, bodies don’t bleed: souls do.

Marvel’s latest, Eternals, offers a sweeping, syncretistic creation story that’s full of bargain-bin gods but no divinity or transcendence.

Rev. Dr. Otis Moss III and Trinity United Church of Christ present a virtual conversation on the film, A Journal for Jordan.

What movies coming out in 2022 might have some content issues you might not suspect?