Contributor: Paul Asay

Jordan Peele is back with another provocative horror film. But many might be better off saying “nope” to the film itself.

Morpheus is the master of dreams in this Netflix series. But the content is nightmarish.

It has a few speed bumps along the way, but the new Disney+ show Cars on the Road will be high-octane fun for some fans of the franchise.

Yes, the fourth Thor film features plenty of thunder and a good bit of love. But this Asgardian ship carries a cargo of problems, too.

The latest remake of Pinocchio isn’t terrible. But even Tom Hanks can’t quite save it from some 21st-century thematic shifts.

Shells are, by their very nature, hard and brittle things. So you might be surprised by the size of the heart you find in this one.

Diving back into reading, math, chemistry and gym, can be a dispiriting and even scary experience. So why not watch a movie that celebrates education?

Well-scripted and well-acted, The Patient might nevertheless leave some viewers feeling a need for counseling themselves.

This scathing satire of megachurch culture hits its mark occasionally … but the R-rated content hurts its viewers, too.

Top Gun: Maverick outperformed many of the year’s anticipated summer blockbusters. And “woke” agendas may be the reason.

Poignant, precious and, yes, problematic, Lost Ollie nevertheless plumbs unexpected depths.

In this installment of The Plugged In Show, we tackle social media, its connections to mental health and why stepping away from it might benefit all of us.

The CGI-slathered remake promises to be (ahem) a whale of an attraction for the streaming leviathan. But will it be any good?

We give parents a few pointers on how to reel in the YouTube leviathan in their homes—navigating how their sons and daughters use YouTube and how they can best curb and enjoy it.

As this show about money laundering reaches its end, the verdict looks little different from its predecessor, Breaking Bad.