Contributor: Paul Asay

The Equalizer 3 blasted its way to No. 1 during the three-day Labor Day weekend, earning an estimated $42.3 million in North America.

Disenchantment few charms—unless you’re talking about those of the magical variety, that is.

God. Family. Football. gives us a compelling show that treats its subjects fairly and with affection.

While still plenty violent and filled with drinking and smoking, the Dial of Destiny does dial the content back a bit.

The Last Voyage of the Demeter, like the movie’s monster, comes to the fore filled with blood but without a soul to speak of.

The Boogeyman, the monster, thrives in the dark. So perhaps it’s only logical that the movie itself camps there, too.

When the checkered flag fluttered over this weekend’s box-office derby, Gran Turismo beat Barbie and her convertible pink Corvette by the width of a bumper.

Vacation Friends 2 is a silly, salacious, morally vacuous trip.

Alien invasions never bode well for the poor Earthlings on the receiving end. And so it is again on Apple TV+s invasion.

Though these witty aliens can’t agree on how great Earth is, they can all agree to act in morally decrepit ways.

Screen-based worries aren’t going anywhere. They’ll be with us as long as screens themselves are. But parents are not powerless.

Though it didn’t earn as much as expected, Blue Beetle still beat out Barbie in this weekend’s box office.

Our world is broken. We’re surrounded by stories not yet done—and sometimes, those stories don’t read like they should.

Prime Video’s thriller is filled with mystery and murder—but loaded with more profanity than you’d expect.

Have Christian filmmakers learned new lessons about how to make strong, successful films? And what lessons might Hollywood learn from this latest wave of faith-based films?