Contributor: Paul Asay

Action Point isn’t much of a movie, no matter how you slice its vomit-soaked layers.

Religion, First Reformed suggests, is easy. It’s faith that’s hard.

Deadpool 2, like its predecessor, doesn’t just wallow in the depths of human depravity: It absolutely frolicks there.

Breaking In is one of the most frenetic, violent salutes to a mother’s love that you’ll likely ever see.

Bad Samaritan is a bad film—one that if we came across on the side of the road, we might do well to walk on by.

Infinity War will challenge many a moviegoer, especially young ones.

Traffik may have had an important destination in mind. But—fittingly for its title—it gets seriously stuck along the way.

This animated film offers young filmgoers an age-appropriate look at one of the worst conflicts in history.

This drama reminds us that dwelling on the ifs in life is no way to live it.

Before the credits roll, Acrimony boards an express train to Crazyville.

Isle of Dogs has some nice messages and a worthy moral. But it also can be sad and kinda disturbing and even tickles tragedy at times.

Let me just say this to aspiring faith-oriented moviemakers: This is how it’s done.

This is your standard, plastic, pink flamingo of a movie—colorful and cute and maybe even fun, but kinda tacky, too.

7 Days in Entebbe is a fascinating and, to my eyes, fair dramatization of that agonizingly long week.

The more you like a flick, the more it’ll potentially influence you. And Love, Simon aims to influence.