The Abandons
‘The Abandons’ puts viewers in the midst of a deadly family rivalry in 1850s Washington territory—one filled with violence and crudities.
IT: Welcome to Derry
What happened 27 years before Stephen King’s IT? HBO’s IT: Welcome to Derry contains all the horrifying answers.
The Beast in Me
Netflix’s ‘The Beast in Me” is aptly named, since families will need to grapple with a beast made up of content issues when watching it.
The Mighty Nein
‘The Mighty Nein’ feels darker and a bit more lugubrious than its forebear, ‘The Legend of Vox Machina.’ And it comes with mighty problems.
Pluribus
‘Pluribus’ takes us into a genteel planetary takeover. But despite likable conquerors, the violence, sex and swearing make this an unpleasant invasion.
Death by Lightning
Netflix’s miniseries ‘Death by Lightning’ shines a spotlight on two fascinating historical figures. But it betrays the period with unnecessary problems.
Down Cemetery Road
Despite a strong cast and sharp writing, Apple TV+’s ‘Down Cemetery Road’ walks down the wrong road with its problematic content.
Splinter Cell: Deathwatch
Netflix picked a fitting name for ‘Splinter Cell: Deathwatch’: You watch people die a lot in this animated show.
Chad Powers
Chad Powers finds its origin in Eli Manning’s undercover football disguise, but the content issues here are clear as day.
House of Guinness
Lawlessness brews in House of Guinness as the children of the late Sir Benjamin Guinness vie for political power and personal pleasure.