This film’s troubling elements don’t negate its virtues, but they certainly make it a more difficult date-night companion.
If Beale Street Could Talk is a movie that many might talk about, but it’s a love story that’s also …
Bird Box won’t be up for any awards, most likely, and it’s R all the way. It didn’t need to …
While Once Upon a Deadpool may have snagged a family-friendlier rating, it squeaked through on technicalities.
Mary Queen of Scots may be well acted. But it’s still a wincingly difficult R-rated film to watch.
Ben Is Back clearly exclaims that addiction singes everything and everyone in an addict’s orbit.
The Possession of Hannah Grace is, frankly, little more than a cold room chock-full of bleak and bloody bumps and …
Roma remains a deeply affecting work—stunning in its use of light and shadow, resonant in its unassuming storytelling.
Despite its impressive pedigree, Widows is ultimately snared in its own web.
In its graphic depictions of its Nazi horrors (and horrific Nazis), Overlord goes overboard.
The nasty web this sequel weaves is still sticky with R-rated problems.
When someone’s running for public office, should their private lives be scrutinized?
This biopic ultimately (and perhaps unintentionally) depicts the outcome of Freddie Mercury’s choices as a tragedy.
Same-sex attraction is a complex issue, requiring a response full of grace and truth. But both biblical virtues get badly …
This movie’s just terrible. Terrible aesthetically, terrible ethically, terrible in every which way a movie can be.














