We’ve all heard about the overbearing in-law. But The Out-Laws is pretty overbearing in its problematic content, too.
Nimona is a futuristic medieval tale that’s actually a fable for gender fluidity.
The Machine uncorks Bert Kreischer’s madcap “origin story” and feels like a mashup of Napoleon Dynamite, Paul Blart: Mall Cop …
This well-choreographed actioner unleashes two hours Chris Hemsworth in a ballet of brutality that might make Thor blanche.
Kandahar is another gritty Gerard Butler war-battle actioner that’s packed with violence, profanity and anti-American sneers.
I think I might be afraid for anyone who goes to watch Beau Is Afraid.
As the Fast & Furious franchise winds down, this entry features a few storyline surprises. But its content concerns are …
Director Guy Ritchie’s latest story is a straightforward movie about sacrifice, responsibility and war—an intense, bloody war.
Ray Romano doesn’t quite make it back to his sweet sitcom roots. Instead delivering a boozy, foul-mouthed version.
Great songs and strong performances can’t pull this problematic docudrama out of its musical muck.
The so-called hypnotics in this film might compel others to do whatever they want. But Hypnotic simply couldn’t hold my …
John Wick: Chapter 4 tries to raise barbarity to art, butchery to spectacle. But its embrace of death-dealing should give …
When a film contains f-bombs in the triple digits, that pretty much drowns out any other positive messages.
Like many an action protagonist before her, Jennifer Lopez gets her bloody bad-guy-brain-blasting boots on.
