13 Hours is a well-made, violent, profane, difficult movie. The fact that it depicts real, important events makes it no …
The Revenant, like the land it depicts, is beautiful, brutal and unforgiving.
But for all its obvious craftsmanship, The Hateful Eight is ruined by its unremitting incivility.
With every sick, sad reference to sexual anatomy Fey and Poehler make, it just drags out longer and longer.
The movie’s name really says it all. Sure, it’s a big movie. An important movie, perhaps. But it left me …
When a love story doesn’t know what real love is, how can we trust it with anything else?
America cinema has long raised its glass to the gangster. Maybe it’s time for a different vintage.
The Night Before could have been called The Nightmare Before had Tim Burton not already made off with the name.
By the time the credits roll, Our Brand Is Crisis feels a lot like a badly run political campaign itself: …
Just when you’re tempted to think you’ve seen it all, some random filmmaker takes that as a dare.
A great message, but one that’s ultimately, um, OK, burnt by the crass content baked into this R-rated recipe.
This franchise is at least as problematic as its gore-encrusted cousins—perhaps more so—because of the message it so reliably puts …
Bill Murray has the comedically cantankerous genius-in-his-own mind shtick down pat. He unleashes it again in Rock the Kasbah, to …
Its wince-worthy words and images aren’t anywhere near as easily brushed aside as, say, a cinematographic palette of falling leaves …
Room can be crass and crude and incredibly uncomfortable to see. Room is also a thing of beauty—as inspiring a …