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Movie Monday: Taking the Last Exorcism

Box office boasting rights were too close to call Monday morning, what with two new PG-13 films, The Last Exorcism and Takers, separated by a mere $300,000. That’s less than the cast of Jersey Shore spends on tanners.

According to boxofficemojo.com’s early estimates, The Last Exorcism wound up on top, scaring up $21.3 million. The stylishly predictable caper flick Takers, playing on 700 fewer screens, snatched $21 million. Final figures, due out later today, will tell the tale. The Expendables and Eat Pray Love, movies which have walked hand-in-bloody-hand on the box office charts since their release earlier this month, slid to third and fourth place, respectively. Meanwhile, the much ballyhooed re-release of Avatar, what with its nine minutes of extra footage, barely cracked the top 12 with a $4 million take.

I was “lucky” enough to see both Exorcism and Takers, and both struck me as late-summer filler: Exorcism, plotted around a sham-artist exorcist who runs face-first into some apparent powers of darkness, had the most promising premise, but I didn’t think the movie pulled it off. And Takers, I thought, was just … dumb.

Paul Asay

Paul Asay has been part of the Plugged In staff since 2007, watching and reviewing roughly 15 quintillion movies and television shows. He’s written for a number of other publications, too, including Time, The Washington Post and Christianity Today. The author of several books, Paul loves to find spirituality in unexpected places, including popular entertainment, and he loves all things superhero. His vices include James Bond films, Mountain Dew and terrible B-grade movies. He’s married, has two children and a neurotic dog, runs marathons on occasion and hopes to someday own his own tuxedo. Feel free to follow him on Twitter @AsayPaul.