Kim’s vulgar, hedonistic tale that never quite meanders all the way to the meaning she’s so desperately looking for but …
Terrence Malick movies are like onions. Remove a layer, and there’s always another one to explore. And sometimes they can …
Gods of Egypt has some nifty CGI work, but is otherwise terrible in pretty much every sense of the word.
Triple 9 is a brutally profane, wincingly violent thriller that pretends to plumb the depths of moral ambiguity.
Like Eddie himself, Eddie the Eagle probably won’t be winning any awards … but it certainly works hard to get …
An inspiring story and a great reminder that, while we were not all given Jesse Owens’ speed, we were all …
The devil truly is in the details in this dreary, demented rumination on wickedness … that has no godly counter …
Risen accomplishes something quite remarkable: It tells the familiar, timeless story of Jesus’ death and resurrection from a fresh vantage …
An inspiring story and a great reminder that, while we were not all given Jesse Owens’ speed, we were all …
With great power comes great responsibility. That’s what Spider-Man taught us. But Deadpool is as irresponsible as they come.
Feels a lot like all of its extras: mostly dead.
The Choice dutifully checks every expected box—both the poignant elements and the problematic ones.
A whole lot of bullets find their final resting places in bad guys’ skulls before that riding-off-into-sunset scene finally comes …
Disney’s The Finest Hours feels like an old-fashioned adventure yarn that wants to inspire as much as thrill.
There’s a huge difference between difficult topics and difficult—sometimes gratuitous—content.














