Plugged In exists to shine a light on the world of popular entertainment while giving you and your family the essential tools you need to understand, navigate and impact the culture in which we live. Through reviews, articles and discussions, we want to spark intellectual thought, spiritual growth and a desire to follow the command of Colossians 2:8: "See to it that no one takes you captive through hollow and deceptive philosophy, which depends on human tradition and the basic principles of this world rather than on Christ."


Family uses Plugged In as a ‘significant compass’

"I am at a loss for words to adequately express how much it means to my husband and me to know that there is an organization like Focus that is rooting for us. Just today I was reading Psalm 37 and thinking about how your ministry provides ways to 'dwell in the land and enjoy safe pasture.' We have two teenagers and an 8-year-old in our household...Plugged In has become a significant compass for our family. All three of our kids are dedicated to their walk with Christ but they still encounter challenges. Thanks for all of your research and persistence in helping us navigate through stormy waters."

Plugged In helps college student stand-up for his belief

"Thanks for the great job you do in posting movie and television reviews online. I’m a college freshman and I recently had a confrontational disagreement with my English professor regarding an R-rated film. It is her favorite movie and she wanted to show it in class. I went to your Web site to research the film’s content. Although I had not seen the movie myself, I was able to make an educated argument against it based on the concerns you outlined. The prof said that she was impressed by my stand and decided to poll the whole class and give us a choice. We overwhelmingly voted to watch a G-rated movie instead! I’ve learned that I can trust your site and I will be using it a lot in the future.”

Plugged In brings ‘Sanity and Order’ to Non-believer

“Even though I don’t consider myself a Christian, I find your Plugged In Web site useful and thought-provoking. No one reviews movies like you do. Instead of being judgmental, you put entertainment ‘on trial.’ After presenting the evidence, you allow the jury of your readers to decide for themselves what they should do. In my opinion, you bring sanity and order to the wild world of modern day entertainment. Keep up the good work!”

Mom thinks Plugged In is the ‘BEST Christian media review site’

"Our family doesn't go to the movies until we go online and check out your assessment of a given film. I think this is the BEST Christian media review website that I've found, and I recommend it to my family and friends. Keep up the good work!"


Our hope is that whether you're a parent, youth leader or teen, the information and tools at Plugged In will help you and your family make appropriate media decisions. We are privileged to do the work we do, and are continually thankful for the generosity and support from you, our loyal readers, listeners and friends.


Watch This Review

We hope this review was both interesting and useful. Please share it with family and friends who would benefit from it as well.

Movie Review

Nobody ever said being a mother was easy. So it stands to reason that the day meant to honor the devoted, hardworking moms in our lives might be fraught with complexity and conflict, too—on movie screens at the very least.

Mother's Day is the latest "day" movie from director Garry Marshall, following Valentine's Day and New Year's Eve. And it is indeed all about moms, telling the short stories of a wide spectrum of matriarchs struggling with all the problems that make every day difficult … let alone Mother's Day.

Sandy's a recently divorced mother of two tweens whose father recently eloped with a woman many years younger … and hotter. Sandy's desperate to get a job with famed Home Shopping Network maven Miranda Collins, who, of course, has some deeply buried motherhood issues of her own.

Kristen's technically a single mom living with her boyfriend. She keeps turning down his earnest, repeated pleas to tie the knot because of abandonment issues stemming from her adoption.

Sisters Jesse and Gabi share the same problem: their loudmouth, judgmental mom, Flo. The older woman was aghast that Jesse dated an Indian man and thinks Gabi's engaged to a high-powered mover-and-shaker businessman. So Jesse got married and had a baby without telling dear ol' Mom. And Gabi did something similar … only with a woman (named Max) who already has a son (Charlie). When Flo and her husband, Earl, show up unexpectedly for Mother's Day, the sisters suddenly have some serious 'splaining to do.

Meanwhile, there's Bradley … who's obviously not a mother. His beloved wife, a Marine, was killed in combat exactly a year before. Bradley's soldiering on by himself, trying to cope with his own grief as well as that of his tween and teen daughters, Vicky and Rachell.

If only there were a pretty, divorced mother with kids of her own who he could connect with and start over …

Positive Elements

Mother's Day pays heartfelt (though often over-the-top and melocomedic) honor to mothers. That's clear. Being a mom is rarely easy, the movie reminds us, but it's noble, significant work. Moms love us with "every atom." They attend to myriad details, from lunches to practices to dental appointments to inhalers … to sorting through the disappointing decisions we make. And, in most cases, the story insists, moms handle those never-ending responsibilities with fortitude—if not always grace in the moment.

Specifically, Sandy has to work through her anger and insecurity to make her new split-family situation work. She has to realize that no matter how much her ex-husband's new wife wants to be the kids' new mom, too, the other woman can never replace the role Sandy plays in her children's life. (Divorce isn't judged here, per se, but neither is it depicted as something that's positive or good as we see the hurt, heartbreak and complications it creates for everyone involved.)

Kristin does her best to deal with the abandonment she experienced as a child, and we see some positive resolution to that take place as she reunites with her mom. Her mother talks about the scars she herself suffered from being forced to give Kristin up when she had her at the age of 16.

Jesse and Gabi have both chosen distance and deceit to cope with their meddling, judgmental mother, Flo. But we see all three reach toward coming to terms with the rift in their relationship.

Bradley, meanwhile, is one of the most decent, down-to-earth dads seen on a movie screen in a long time. As mentioned, he's agonizingly trying to sort through his own grief while simultaneously trying to figure out how to help his daughters do the same thing.

Spiritual Content

Two nuns are shown working out in the gym while still wearing their full habits. A child gets on a bus headed to a Catholic school.

Sexual Content

Gabi and Max are said to be married, and Gabi has adopted Max's tween son, Charlie (whom we hear was the result of Max using a sperm donor.) The lesbian couple is shown exchanging affectionate touches. They run an establishment called the Rainbow Bakery, and they're working on a float depicting a giant womb for a Mother's Day parade. The float prompts several vagina references, and one woman suggestively says she wants to see a similar anatomy-themed float for Father's Day. (It's worth noting that Max is portrayed by comedian Cameron Esposito, the host and creator of Buzzfeed's "Ask a Lesbian" series.)

Unmarried, Kristin and her boyfriend have been living together for years, and they're shown in their pajamas in bed. Bradley spies one of his daughters kissing a boy.

Virtually all the film's female characters wear revealing, tight-fitting and skimpy clothing throughout. Plunging necklines reveal lots of cleavage. We see women in sports bras and skintight yoga pants. One woman removes her shirt after a spill. Tina wears a tiny bikini. Sandy is particularly aghast at the incredibly revealing clothing Tina routinely wears (never mind that Sandy's own attire often doesn't cover up much more). Sandy tells Jesse she thinks her ex-husband was "checking her out" while she was wearing a clingy, towel-like robe after getting out of the shower. Several women perform pole-dancing workouts at a gym.

Sandy's boys, Peter and Mikey, say they love it when their dad takes care of them because he does things like let them go to school without underwear ("freeballing," one of them enthusiastically dubs it). Another child accidentally puts a lion costume on backwards for the school play … with the tail suggestively sticking up in front. (He's totally unaware of the visual implications, but the adults are clearly not.)

We hear sarcastic quips about strippers. Jokes and/or discussions revolve around "big boobs," inside-out bras, panties, tampons, and dressing up like Liberace. Rachell gushes that pole dancing helps a woman "get in touch with her body." A gay man talks with Miranda about his partner. The book title "Moby Dick" is reappropriated twice as a suggestive put-down.

Violent Content

Bradley tumbles over a second-floor balcony and injures his ankle. A teen (humorously) takes an unexpected soccer ball hit to the head. Earl pretends the brakes on his massive RV have failed (to try to get Jesse and her husband to reconcile before it's too late!), and leads police on a wild and reckless chase (with Max chasing, too—the womb float in tow).

Crude or Profane Language

Two f-words. Two s-words. Four or five uses each of "d--n" and "h---," one each of "a--hole" and "p---." We hear at least two prominent misuses of Jesus' name, one of which is (oddly) paired with "jumping." There are also about a dozen abuses of God's name.

Drug and Alcohol Content

Characters drink (beer, wine) socially throughout the film. In a moment of discouragement, Sandy drinks a glass of wine at home by herself. Miranda's agent frequently has a cigar in hand (but it never appears to be lit).

Other Negative Elements

Rachell swears at her dad once and refuses to obey him when she gets in a car with her boyfriend. A female friend of Bradley's basically shrugs and tells him he can't risk any conflict with his daughter that might alienate her from him. In other words, he just has to accept her bad attitude and let her do what she wants.

Flo repeatedly makes racist statements about Jesse's Indian husband, including calling him a "towelhead." Jokes are made at the expense of a little person named … Shorty, as well as a morbidly obese man named … Tiny.

We're "treated" to quite a lot of lying. Someone steals candy from a vending machine. Bradley, who coaches his daughter's soccer team, throws a temper tantrum at a ref's call, kicking the ball away. A toddler urinates on a park bench.


"No matter what's happened between us, you're always my mother," Jesse tells her mom. And that, really, offers a succinct summary of Mother's Day. Ultimately, there's simply no one quite like a mom, no one who can ever take her place—even if she's not … perfect.

This is, then, a movie that has some admirable things to say about moms and rightly recognizes the hugely important role they play in shaping their children's lives. That said, Mother's Day embraces every permutation of how motherhood can occur—including out-of-wedlock cohabitation and a lesbian woman using a sperm donor before marrying another woman—with equal levels of enthusiasm. All paths to motherhood are equally valid, it preaches, and then not-so-subtly implies that rendering any kind of judgment on any of those paths is a backward, bigoted thing to do.

That, along with some sexual subjects and swearing, make it much harder to hug this movie than it is to hold tightly to our real-life moms in the way Garry Marshall wants us to.

Pro-social Content

Objectionable Content

Summary Advisory

Plot Summary

Christian Beliefs

Other Belief Systems

Authority Roles



Discussion Topics

Additional Comments/Notes

Episode Reviews



Readability Age Range



Jennifer Aniston as Sandy; Timothy Olyphant as Henry; Shay Mitchell as Tina; Brandon Spink as Peter; Caleb Brown as Mikey; Julia Roberts as Miranda; Britt Robertson as Kristin; Jack Whitehall as Zack; Kate Hudson as Jesse; Aasif Mandvi as Russell; Ayden Bivek as Tanner; Sarah Chalke as Gabi; Cameron Esposito as Max; Owen Vaccaro as Charlie Margo Martindale as Flo; Robert Pine as Earl; Jason Sudeikis as Bradley; Jennifer Garner as 2nd Lt. Dana Barton; Jessi Case as Rachell; Ella Anderson as Vicky; Loni Love as Kimberly; Jon Lovitz as Jackie Burn; Hector Elizondo as Lance


Garry Marshall ( )


Open Road Films



Record Label



In Theaters

April 29, 2016

On Video

August 2, 2016

Year Published



Adam R. Holz

Content Caution

We hope this review was both interesting and useful. Please share it with family and friends who would benefit from it as well.

Get weekly e-news, Culture Clips & more!