In the last few years, Netflix has produced some original, buzz-worthy movies. This isn’t one of them.
Far From Home is a fine, fun, serviceable superhero flick. But like Peter Parker’s European vacation, it contains some unwelcome …
A stay at a drug-filled pagan commune in rural Sweden might not be everyone’s ideal vacation.
This action thriller is filled with graphic content, through and through.
Like its predecessors in this formulaic genre, Wild Rose tells a story in which redemption and self-destruction intertwine.
The second big-screen iteration of Jean Gray’s tragic transformation into the Phoenix is a predictably violent, occasionally profane affair.
This dramedy’s commitment to its R-rated content will push it out of bounds for many who might otherwise have enjoyed …
When Ma ain’t happy, ain’t no one happy. Including those of us in the audience.
This metropolis-mulching monster masher makes superhero-movie destruction look almost dainty in comparison.
Even as Rocketman chronicles Elton’s many missteps and shows us his failures, it can’t help but unintentionally celebrate them in …
There’s a certain paradox in the title All Is True: This movie about William Shakespeare is largely speculation.
Like the disturbed alien child at its center, this movie feels bad to its very marrow.
This version of Aladdin isn’t “A Whole New World.” But that’s a good thing.
This angst-filled story’s positive themes are drowned out by some harsh profanity, racial slurs and suggestive conversations.