An audacious—and kind of awesome at times—update of the Rudyard Kipling-written, Disney-appropriated classic tale.
Throwing yourself headfirst into a garage-sized blender would be pretty gutsy, too. Though not much of a movie night.
While this movie’s violence doesn’t go beyond what we see in most Marvel flicks, the atmosphere here is so darkly …
While this movie is marginally cleaner than its predecessors in terms of content, it’s unquestionably worse in terms of story.
Shock-schlock provocateur Sacha Baron Cohen seems incapable of creating anything less than incomprehensible foulness.
Even if the mayhem makes it past your familial sense of protectionism, the obscene language probably won’t.
More carrots than you might expect to chew on while cabbing the kiddie crew home.
Gods of Egypt has some nifty CGI work, but is otherwise terrible in pretty much every sense of the word.
Born on Mount Olympus to Zeus and Hera, baby Hercules is welcomed into the family of gods.
With great power comes great responsibility. That’s what Spider-Man taught us. But Deadpool is as irresponsible as they come.
Feels a lot like all of its extras: mostly dead.
As in past entries, the goofball, underachieving panda protagonist has a lot more than dumplings dumped on his plate.
Disney’s The Finest Hours feels like an old-fashioned adventure yarn that wants to inspire as much as thrill.
There’s a huge difference between difficult topics and difficult—sometimes gratuitous—content.
13 Hours is a well-made, violent, profane, difficult movie. The fact that it depicts real, important events makes it no …