Whannel has crafted a film that plays out more as cruel reality than science fiction.
Military Wives deals realistically with the reality of war and deployment—especially its effects on those who stay behind.
A strong undercurrent of introspection swirls about as Coogan and Brydon explore the inevitability of aging and mortality.
This horror pic becomes less and less credible—not to mention and less and less watchable—by the second.
As bleak and as uncomfortable as this film often feels, Downhill ultimately has some heartening things to say about marriage.
REV wants to tempt viewers, through exotic cars and bikini-clad girls, into thinking it’s a Fast and Furious clone. It’s …
Don’t go to Fantasy Island, my friends. Many who do so here regretted it, and it’s unlikely you’ll be the …
PG-13 content concerns ultimately temper the sweet-but-substantive reconciliation at the heart of this story.
Strip away the language, airbrush out the blood, and you’ve got pretty much the same movie, only better.
Valley Girl—a remake of Nicholas Cage’s much raunchier, R-rated 1983 version—still has its fair share of PG-13-level concerns.
The Half of It comes packing the two-punch combo of same-sex attraction and subtle elbows thrown at people of faith.
Despite embracing some admirable goals, this R-rated dramedy comes with a slew of content issues.
Filled with creepy occultism, Gretel & Hansel is made of gingerbread: Alluring to look at, but structurally and morally hollow.
Despite this film’s PG-13 rating, families may well choose to draw a line with Vin Diesel’s latest bloody actioner.
