This is something of a computer-hacking non-thriller that feels illogical, ill-defined and, well, rather poorly “coded.”
It’s a dead ringer for a goofy-faced jester who makes you giggle … before hitting you with a clown-car full …
The Taken trilogy has taken its toll on Liam Neeson in more ways than one, and he looks almost as …
Keep calm and smile at the demon, they might say. But since when does that sort of thing save the …
‘The Descent’ begins with a bloody car crash. And it ends with a bloody revenge killing. In between, six women …
In blackjack, the object is to reach 21 without going over. If Jim played the game like he lives his …
Unbroken, then, is hard to watch but easy to praise. The horror of the inhumanity it depicts is wrenching. The …
Clint Eastwood turns his laser-like focus toward a real-life war hero named Chris Kyle—and the price he paid to become …
Walter Keane’s paintings of big-eyed children were all the rage in Mad Men-era America. But those saucer-wide eyes held a …
A run-of-the-mill Seth Rogen comedy has suddenly become a global firebrand, a rallying cry for free speech and a great …
It’s Dr. Martin Luther King Jr. vs. a hard-nosed sheriff who stands amid a plantation full of prejudices in Alabama.
The Hobbit: The Battle of the Five Armies is a rollicking, satisfying conclusion to Peter Jackson’s second Tolkien trilogy. It’s …
Inherent Vice is a whacked-out, confused, incoherent mess of a movie—and intentionally so.
It’s not how God looks that’s the most troubling thing: It’s how He acts in Exodus: Gods and Kings.
