It’s a cinematic construct that relishes taking long, easy moments to just study actress Saoirse Ronan’s serene face, watching her …
Just when you’re tempted to think you’ve seen it all, some random filmmaker takes that as a dare.
A great message, but one that’s ultimately, um, OK, burnt by the crass content baked into this R-rated recipe.
By the time the credits roll, Our Brand Is Crisis feels a lot like a badly run political campaign itself: …
This franchise is at least as problematic as its gore-encrusted cousins—perhaps more so—because of the message it so reliably puts …
Bill Murray has the comedically cantankerous genius-in-his-own mind shtick down pat. He unleashes it again in Rock the Kasbah, to …
The Last Witch Hunter never quite even makes it to bland.
Its wince-worthy words and images aren’t anywhere near as easily brushed aside as, say, a cinematographic palette of falling leaves …
His is a story with a moralistic flare that might have stumbled in lesser hands.
Room can be crass and crude and incredibly uncomfortable to see. Room is also a thing of beauty—as inspiring a …
Movies are a lot like people, too. Great ones are not always good ones. Steve Jobs, rated R as it …
Sometimes it takes a dead planet to make us appreciate the value of a single life.
Link Eli Roth’s name to the project and you get something else entirely. Namely, a rancid freak show of cinematic …
Such a detailed and explicit portrait of one man’s violent life arguably glorifies the brutality as much as (or even …