Shyamalan relishes peeling back the layers of an unsettling storyline with disturbingly creepy savor.
The Bye Bye Man is a dumb depository of derivative death-dealing that anyone who’s ever watched a movie of this …
To realistically convey their vision of this tragedy, the filmmakers show us vivid, gaping wounds and dismembered limbs. And they …
Sleepless is pretty much a standard-issue R-rated corrupt cop caper. It’s not terrible, by genre standards. Nor is it memorable. …
For 98% of this movie, Ben Affleck’s character is a heartless, selfish monster. The fact that he’s slightly less monstrous …
A boy’s journey through grief uncovers some surprising truths by the time the credits roll.
“I have seen so much killing, so much war. I cannot bear more.” So says the heroine Selene near the …
Paterson is enjoyable without being entertaining. It’s a shyly thoughtful story that asks its viewers to stretch themselves and dream …
Even though its dialogue can be harsh and its protagonist can be a monster, Fences has some important things to …
Even in a place and time when brutal forces mercilessly sought to silence the faithful, their voices could still be …
Why Him? This zany, raunchy movie asks. When I left the movie, it had me asking another question: Why me?
If Passengers teaches us anything, it’s only as an afterthought. The film is an entertainment vehicle. And like the spaceship …
Between its tortured logic and its fatalistic view of religion, Assassin’s Creed does little more than kill off a couple …
Rogue One is theoretically a different kind of Star Wars movie. Except that it’s not.
The whole production feels like a mildly melodramatic stage play that isn’t afraid to take its time and to wax …