Contributor: Paul Asay

‘Pressure’ takes us into a little-known wrinkle in perhaps history’s most documented war, and it does so with fewer content concerns than you’d expect.

‘The Mandalorian and Grogu’ dominated the box office, no doubt, but it didn’t earn quite as much as it could have.

‘The Mandalorian and Grogu’ feels like an old Ray Harryhausen creature feature. ‘Course, all those beasties come with teeth, and the movie does, too.

‘Maximum Pleasure Guaranteed’ is a witty, sleazy and extraordinarily dark comedy predicated on sex, murder and human greed.

Good Omens is thought by many to be a good show. But spiritually, this Prime Video series seems like it needs to be carted away in its own handbasket.

‘The Old Stories: Moses’ looks and feels like a strong, biblically based story in an era full of them—one that stands out for both its casting and technological creativity.

Lee Cronin’s The Mummy is a dark, dark movie—physically and morally. This story should itself be wrapped up and buried.

In an unsettled week at the box office, the musical biopic ‘Michael’ returned to take the box office crown.

For all its epic pretensions, ‘Is God Is’ feels hollow and half-made; a revenge thriller painted with merely the trappings of classical heft.

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Up-and-coming writer and director Curry Barker knows his craft, but in ‘Obsession,’ he uses his talents to tell a messed-up story.

Netflix teams up with director Greta Gerwig to bring Narnia to audiences in new and potentially problematic ways.

Disney+’s ‘The Punisher: One Last Kill’ is as unforgiving as its hero. Indeed, it’s the bloodiest, most graphic MCU product we’ve seen.

This contemporary version of ‘Hamlet’ is a strong film. But alas, poor reader, we know this R-rated content well.

In a battle of sequels, ‘Mortal Kombat II’ fell short against the overpowering sense of fashion of ‘The Devil Wears Prada 2.’