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TV Series Review

They say that when you get old, you get set in your ways.

Take, for example, the Mikaelsons. Oh, they were vivacious youngsters back in the Middle Ages—Elijah, Rebekah and Klause—all crazy kids just frolicking on the family farm and trying not to contract the plague.

But when their younger brother was eaten by werewolves (a real nuisance, apparently, in the Old World), their father forced the three of them to become vampires, just 'cause. Now, a thousand years or so later, they're still hanging out together, growing ever-more cantankerous, rehashing ancient grievances and debating just who stabbed whom in the 19th century.

Elijah, the familial leader, has mellowed some over the last millennia. Or maybe he was just always the good vampiric egg in the bunch. Like a grandfather dishing out Werther's Originals to his grandkids, he believes that love and happiness are the keys to fulfillment. Of course, starting a family's impossible for the guy, given that he's technically dead and all. Vampires are remarkably lively, but they can't have kids. So he has to make do with his brother and sister. Oh, and the niece or nephew that's on its way.

Yeah, that "niece or nephew" thing is a bit confusing, I know, given that I just said vampires can't have kids. But Klaus is different: He's apparently the lovechild of his mother and a werewolf, which makes him sort of an undead hybrid—one still capable of producing offspring, it seems. Alas, the long passage of time has made him really cranky. If he had a lawn, he'd tell the kids to get off of it. And by telling them to get off it I mean he just eats 'em.

Rebekah? Well, she'd rather not be bothered by these family attachments. She'd rather gaze out the window or something and have people appreciate how special she is.

And so we might compare these three characters to blood types: positive, negative and type O—as in egO.

But even vampires have their everyday worries. Shortly after moving to New Orleans (for the second time in their long lives), they discover they have to move away. See, it just so happens that Hope, Klaus' daughter, is possessed by something called the Hollow at the end of season four. And in order to save Hope, each of the siblings must take a part of her evil possession upon them, and then eternally separate to keep Hope and the city safe.

Or so they said. But now, for this last season, the siblings will do whatever it takes to reunite, despite their vow—and the outcome might not be all too tame.

The CW named this show The Originals, because the Mikaelsons are supposedly the world's first vampires (spun off from The Vampire Diaries). But there's a hint of delightful irony with the title as well, given that there's absolutely nothing original about this show.

That's not all bad, by the way. The CW caters almost exclusively to teens and twentysomethings, and at least a few positive themes seem to show up in this network's supernatural series. The Originals, like the aforementioned Vampire Diaries, Supernatural and others, talks a lot about how important family is—even as it shows how difficult family can be (a dynamic familiar to many an adolescent). It suggests that love is powerful, able to breathe new life even into the deadest of vampires.

But that brings us back to … the vampires. There's some Bram Stoker in these bloodsuckers, born out of black magic and unable to walk on sacred ground unless invited. But there's a little Edward Cullen, too. And, of course, a whole lot of influence from The Vampire Diaries. The vamps and other characters here are incredibly problematic in several ways: The witches engage in magic that taps into secret, presumably dark powers. Werewolves lope in and out of the picture, and there seems to be some effort to equate the natural, nothing-you-can-do-about-it condition of lycanthropy with homosexuality. (In the pilot, for instance, Elijah feels horrible that he didn't do anything to stop his father from forcing Klaus to reject his "natural" condition.)

So is this a well-meaning supernatural soap? Or a weekly advertisement for the occult and "too-modern" family values?

Maybe both, burried under tried and tired CW-style salacious silliness. Sex and gore ooze from the show's icy veins. Sex is a constant focus, even in episodes where the content is fairly tame. Males brood and smolder. Females pout and seduce. And all, of course, kill and eat quite messily, spreading blood-spattered corpses around New Orleans ... and your TV.

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Episode Reviews

The Originals: April 18, 2018 "Where You Left Your Heart."
Originals: 10-03-2013



Readability Age Range



Joseph Morgan as Klaus; Daniel Gillies as Elijah; Phoebe Tonkin as Hayley; Charles Michael Davis as Marcel; Claire Holt as Rebekah; Danielle Campbell as Davina; Steven Krueger as Josh; Daniella Pineda as Sophie; Leah Pipes as Cami; Yusuf Gatewood as Vincent Griffith; Leah Pipes as Camille O'Connell; Riley Voelkel as Freya Mikaelson; Steven Krueger as Josh Rosza; Christina Marie Moses as Keelin; Danielle Rose Russell as Hope Mikaelson






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