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TV Series Review

The folks in Nashville don't just sing country songs. They live them.

It's full of cheatin' hearts and achin' souls, of drink-filled Saturday nights and prayer-rich Sunday mornings. Why, the show itself even moved on like a country music heroine, breaking up with old flame ABC and setting up shop with CMT just 'round the corner. The only thing we're really missing in Nashville is a dead dog and a broken-down truck. But give it time.

Nashville is a blend of soapy romance, big-business intrigue and some honest-to-goodness country music crooning. But while the drama may still have its new-series smell—at least on CMT— the central premise is as old as country music itself.

FRIENDS IN LOW PLACES?

At the beginning of the show's run Rayna was an aging star struggling to keep her place in country music's firmament. She's still got the pipes and still commands respect. But her records aren't selling like they used to.

Juliette Barnes was everything Rayna wasn't: young, hip and oh-so popular. All the tweens go crazy for her sassy pop-country style, and industry execs just love her figure—or rather, her figures. She makes them money. They make her records. But that's not enough for Juliette: She wants respect. She wants confirmation that she's a legitimate musician, not some sort of fad. But a brush with death forced her to reexamine her priorities.

But things change after Rayna dies unexpectedly at the end of season five. And now, as the series comes to a close in season six, it's evident that in Nashville heartbreak has always been just one verse (or episode) away. And with new characters always hopping into the show's soapy surroundings, there have been plenty of excuses to stir the proverbial pot.

If you're familiar with country music, or if you wander over to the Plugged In's music section and check out a sampling of Adam Holz's country music reviews, you know that the genre is a mixed bag. Musicians play plenty of lip service to down-home values and front-porch charm, and you'll hear way more references to prayer and the Almighty than you'll ever find on, say, Lady Gaga's latest track. But if one song is full of apple pie and grandpa's wisdom, the next could be swimming in whiskey and a cloud of marijuana smoke.

So it stands to reason that Nashville—a show predicated on the country music business—would share some of that moral schizophrenia.

WALKING THE LINE

People divorce and remarry here faster than you can switch tracks on Spotify. Eyes wander, hearts cheat, and there's always another love knot to untangle just around the corner—sometimes between a couple of guys.

But even as a same-sex relationship spends time in the spotlight, so does the healing power of God. When Juliette is mysteriously rescued from a plane crash, she searches obsessively for her savior. She eventually finds Hallie, a devout Baptist who volunteers regularly at the church and tells Juliette, "I've been praying for you." When Juliette confesses to Hannah that she wonders why she—being the horrible person she's been—didn't die in that plane crash instead of all the good people who did, Hallie tells her that perhaps God was giving her a chance to change.

"If I started praying now, God would just laugh," Juliette says.

"Not the God I know," Hallie tells her.

Even when God isn't a part of the proceedings, Nashville still embraces strong, timeless values like hard work, charity and family. It suggests love and forgiveness can go a long way to curing the ills of this world.

And all that's great, of course. We don't see that sort of honest good will on, say, Game of Thrones. It's just a shame that the show requires plenty of forgiveness itself.

Positive Elements

Spiritual Content

Sexual Content

Violent Content

Crude or Profane Language

Drug and Alcohol Content

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Plot Summary

Christian Beliefs

Other Belief Systems

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Profanity/Violence

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Episode Reviews

July 26, 2018: "Beyond the Sunset"
Nashville: Feb. 15, 2018 "Can't Help But Wonder Where I'm Bound"
Nashville: Jan 10, 2017 "Let's Put It Back Together Again"
Nashville: 10-17-2012

Credits

Rating

Readability Age Range

Genre

Drama

Author

Cast

Connie Britton as Rayna Jaymes; Hayden Panettiere as Juliette Barnes; Clare Bowen as Scarlett O'Connor; Eric Close as Teddy Conrad; Charles Esten as Deacon Claybourne; Powers Boothe as Lamar Wyatt; Jonathan Jackson as Avery Barkley; Sam Palladio as Gunnar Scott; Robert Wisdom as Coleman Carlisle; JD Souther as Watty White; Lennon Stella as Maddie Conrad; Maisy Stella as Daphne Conrad; Chris Carmack as Will Lexington; David Alford as Bucky Dawes; Ed Amatrudo as Glen Goodman; Jeffrey Nordling as Brad Maitland; Ben Taylor as Flynn Burnett; Myles Moore as Jake Maitland; Rainee Blake as Alannah; Nic Luken as Jonah Ford and Kaitlin Doubleday as Jessie Caine; Dylan Arnold as Twig

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Network

CMT

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Released

On Video

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Awards

We hope this review was both interesting and useful. Please share it with family and friends who would benefit from it as well.

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