
Alien: Earth
FX’s ‘Alien: Earth’ is just the latest graphically violent entry in the already graphically violent ‘Alien’ franchise.
Necessity, they say, is the mother of invention. When she was a wildly successful patent attorney, Harriet Korn knew something about inventions. And after her firm unceremoniously gave her the heave-ho, she learned quite a bit about necessity. So what was this poor, cast-to-the-street attorney to do but reinvent herself?
Step right into Cincinnati’s newest business, Harriet’s Law and Fine Shoes, where customers can sue their drycleaners and get a pretty pair of pumps in one convenient stop.
In truth, Harriet doesn’t have much to do with the shoe side of the business. She leaves that to her attractive (slightly grating) assistant, Jenna. Harriet (or Harry, as she’s known) is far more interested in helping clients solve their troublesome, often eccentric legal dilemmas—work worlds away from the patent particulars she plodded through before. She and Adam, her partner in crime, as it were, specialize in drop-ins, sometimes literally: Harry’s very first case was to help a suicidal drug abuser expunge the “third strike” from his rap sheet—a case she took after the guy jumped off a building and accidentally landed on her.
Now the reformed druggie works for Harry, putting his heart and soles into shuffling shoes and becoming a paralegal. (Malcolm’s taken a fancy to Jenna, too, of course.)
Harry’s Law is a wacky bit of work at times. But that doesn’t mean it shies away from heavier fare: Adam’s girlfriend, Chunhua Lao, is nearly raped in one episode. Office relationships can take maudlin turns. And some distinctly serious problems—suicide, drug use, spousal abuse and post-traumatic stress disorder, for starters—are often used to solicit laughs. While the show may not purposefully try to minimize those issues, it sometimes has difficulty walking the line between examining societal problems with a smile and turning them into a farce.
Like many episodic cop and legal programs, Harry’s Law can either feel remarkably clean or disturbingly salacious, depending on what plot points are in play. One episode may spotlight a comical confrontation between neighbors, while another delves into a sordid sexual crime. Infidelity and divorce seem to be storyline staples. And since Harry and Adam are often asked to file divorce papers and protect prenuptial agreements, the dissolution of marriage is treated as more of a business transaction than a personal tragedy.
But the sexuality, while much talked about at times, is rarely shown. Moreover, the show steers clear of the heavy profanity so in vogue around it, and rarely does it peddle explicit violence or gore. That makes it feel like a throwback to 1980s television, or a program that’d snugly fit on USA’s lightweight and quirky block of cop-and-court shows.
Much is made of the hardscrabble neighborhood in which Harriet’s Law and Fine Shoes is located. Harry even hires a local anti-thug (Damien Winslow, CEO of Damien Protection I.N.C.) to protect her joint. But despite the neighborhood’s wacky residents and serious issues, she grows to like it there. “It’s in my blood now,” she says. Much the same could be said of Harry’s Law. It’s far from the nicest place on the block … but compared to some of its neighbors, it’s not too bad. Its content is more implicit than explicit, and while I wouldn’t necessarily spend a lot of time shopping there, it’s nice to know the place at least tries to keep content at heel.
(Editor’s Note: Plugged In is rarely able to watch every episode of a given series for review. As such, there’s always a chance that you might see a problem that we didn’t. If you notice content that you feel should be included in our review, send us an email at letters@pluggedin.com, or contact us via Facebook or Instagram, and be sure to let us know the episode number, title and season so that we can check it out.)
A man, frustrated by his wife’s cheating ways, locks her in the basement. The wife’s lover hires Harriet to help free her. (Both wife and lover are undocumented workers, making police involvement prickly.) Harry agrees to help, and finds the husband/kidnapper to be quite polite. “My wife is experiencing an infidelity lapse,” he explains. Once the lapse is over, he’ll free her, he says, by which point she won’t want to go. And when he does free her, she doesn’t want to go: She still loves the guy and wants to help him through the psychological damage he incurred while in Iraq.
Adam tries to help a woman enforce a prenuptial agreement, which states that Hubby won’t get anything if he cheats on her. Apparently he did cheat—but there’s a catch: The other woman was hired by the supposedly spurned wife to participate in threesomes. In the end, it turns out that the wife and the other woman were in cahoots the whole time, working together to land a wealth-preserving divorce.
Adam kisses his ex-girlfriend on “accident.” Characters misuse God’s name a half-dozen times and use other profanities (“d‑‑n,” “h‑‑‑”) sparingly. Alcohol makes appearances at restaurants and bars.
Paul Asay has been part of the Plugged In staff since 2007, watching and reviewing roughly 15 quintillion movies and television shows. He’s written for a number of other publications, too, including Time, The Washington Post and Christianity Today. The author of several books, Paul loves to find spirituality in unexpected places, including popular entertainment, and he loves all things superhero. His vices include James Bond films, Mountain Dew and terrible B-grade movies. He’s married, has two children and a neurotic dog, runs marathons on occasion and hopes to someday own his own tuxedo. Feel free to follow him on Twitter @AsayPaul.
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