The Yogi Bear revival provides fun, if mindless, adventures for a new generation to enjoy.
The biggest lie in storytelling? Two words: The End.
Stories don’t end, really. Not as long as the protagonists have breath in their lungs. Luke Skywalker brought down the Empire but became a bitter old dude. Harry Potter defeated Voldemort, grew up and had kids, and still came back more than 20 years later to defeat Voldemort again.
The kids from 1984’s Karate Kid? They grew up, too. Their stories didn’t end when Daniel LaRusso planted a heel in bully Johnny Lawrence’s face. They went on, well after the movie’s credits finished rolling. And maybe the most important parts of their respective stories are still to come.
It’s been 0-something years since Daniel and Johnny squared off in 1984’s All Valley Under-18 Karate Championship. From that pivotal moment, their lives diverged radically.
Daniel leveraged his underdog victory, as well as his newfound confidence in his own abilities, to propel himself to modest fame and fortune—mostly as the cheesy spokesman/owner of his own line of car dealerships. “We kick the competition!” he bellows in his late-night TV spots, thwacking on-screen prices to oblivion with a quick karate chop or two.
Johnny has watched those ads and nursed a grudge for four decades now. Forget black belts: The only belts he cares about these days are the ones dished out by a bottle.
That could’ve been “The End” for Johnny, I suppose. He could’ve spent the rest of his life drinking beer and watching old ’80s movies. But when an opportunity to reclaim his lost honor and crush Daniel comes along (in the form of another karate tournament), Johnny takes the chance, reopening his old dojo Cobra Kai and teaching his pupils the same motto his sensei, Kreese, taught him: “Strike first. Strike hard. No mercy.”
Yessir. Johnny and Daniel both know how to land punches where they hurt the most. But after Kreese makes a reappearance, taking over Cobra Kai, bullying students and encouraging them to bully others, they realize they have a lot more in common than they thought. And they’ll have to work together, finding a balance between the gentle “wax on, wax off” philosophy Daniel learned from his old sensei, Mr. Miyagi, and Kreese’s violent approach in order to defeat him.
Because in Cobra Kai, it’s not about the wax: It’s all about the whacks.
The original Karate Kid was relatively innocent and pretty inspirational—a PG film that inspired a generation of kids to flood their local mall-based dojos (and maybe even paint their parents’ fences).
Cobra Kai is the first real high-profile show from YouTube’s subscription-based addendum YouTube Red (which was picked up by Netflix for its third season). But it isn’t aimed at young viewers like the original was. At least, let’s hope not. Just as the show focuses on the now-50-year-old Johnny and Daniel, the content is pretty adult, too.
The s-word flies more often than karate kicks, with plenty of other milder profanities landing blow after blow. The show’s sexual content also is more in-your-face than you might expect: Daniel’s high school-age daughter, Samantha, is subject to sexual harassment and assault. And when she rebuffs her quasi-boyfriend’s advances, she becomes the subject of ugly and graphic rumors at school. Drinking and drug use land on the screen, too.
And naturally, Cobra Kai has some violent moments. I mean, it is a show predicated, at least in part, on beating people up. And sometimes, even characters we ostensibly root for have moments where they’re just plain mean. (Season 3 opens with Miguel, one of Johnny’s students, stuck in a coma after “good guy” Robby, one of Daniel’s, kicked him off a landing in an all-out karate gang showdown at school.)
Ironically, though, it’s in the wake of those difficult moments that Cobra Kai, like its characters, finds a certain measure of redemption.
Cobra Kai is, after all, a story about folks trying to find their way to Mr. Miyagi’s mystical sense of balance, to find the middle way between being a pushover and being a world-class jerk. Everyone here, from oldsters Johnny and Daniel to their troubled pupils and offspring, is searching for redemption and meaning. Some tap into past hope and past sins, even as some of those hopes and those sins are passed on to another generation. Netflix’s show does more than simply play off Gen X nostalgia: It has a story of its own it wants to tell. Several, really.
But while those stories may have merit, they also come with problematic content aplenty. And that can make Cobra Kai a more difficult dojo to deal with than the original.
A few days before Christmas, Daniel’s and Johnny’s students are brutally attacked by the pupils of Cobra Kai.
We see a flashback to Kreese’s time in the Vietnam War where he and his fellow POWs were forced to fight each other to the death (and we see two men thrown off a platform into a pit of snakes). In the present, Kreese’s pupils fight against Johnny and Daniel’s, wrecking the Miyagi dojo and leaving several teens heavily cut and bruised. While fighting Kreese, Johnny accidentally hits his son, Robby. Kreese attempts to strangle Johnny and later nearly stabs Daniel while fighting. A boy is thrown through a glass window.
People drink alcohol and dance at a party. We hear multiple uses of the s-word, “a–,” “a–hole,” “b–ch,” “d–k,” “h—” and “p–sy.” We hear a few misuses of God’s and Christ’s names. And someone is also called “penis-breath.”
Everyone recovers from the aftermath of the karate showdown at school that resulted in several injured students, with others getting expelled or suspended.
We see several karate fights, including flashbacks from the violent school battle that show people getting cut, thrown into glass trophy cases and a boy breaking his back after falling onto a railing. A man smashes a car window before getting into a fistfight with the passengers. Johnny purposely smashes his own head, causing it to bleed heavily. (He also lifts his shirt to show a giant bruise on his back.)
People drink alcohol. There are jokes about porn and masturbation. Teen girls are objectified by their male classmates. We see a man’s infected foot. We learn that Robby stole a car. A woman wearing a cross necklace prays with a rosary. We hear multiple uses of the s-word, “a–,” “b–ch,” “h—” and “p–sy.” We also hear misuses of God’s name.
Daniel LaRusso works with mortal enemy Johnny Lawrence’s son, Robby Keene, to build a new dojo where mercy is the motto. Daniel’s daughter, Samantha, heals from a breakup with ex-boyfriend, Miguel. Johnny tries to reinstate new, more merciful rules at Cobra Kai after his old, ruthless sensei, John Kreese, comes back into town.
Johnny gets into a fight with his old sensei. The two kick and punch one another in the face, stomach and limbs. Johnny is thrown against a glass mirror and it shatters. Johnny’s son, Robby, tries to forgive his father.
An elderly man flirts with and objectifies a waitress. A girl and her boyfriend break up. A man smokes a cigar that, once kicked out of his mouth, starts a fire. Men drink beer and two teens are denied alcohol when they present fake ID’s. Grown men utter a few death threats.
The s-word is heard once and other profanity includes multiple uses of “h—,” “b–ch,” “p-ssy,” “a–,” “bada–,” “screw you” and “pr–k.”
Thirty-four years after losing to Daniel LaRusso in a climactic karate match, Johnny Lawrence has never recovered his mojo. But when the heavy-drinking handyman comes into some unexpected cash and defends a young neighbor from a group of thugs, he discovers a new aspiration: Reopening the Cobra Kai dojo and passing on a passion for karate to a new generation.
Johnny receives his moment of inspiration from an old 1980s movie, when a narrator intones, “God doesn’t give people things he doesn’t want ’em to use.” Then again, Johnny gleans this insight when he’s pretty drunk, too, with empty beer bottles scattered across his table and him pouring more liquor into whatever else he’s drinking. He later hops in his Pontiac Firebird, liquor bottle in tow, and drinks and drives.
We learn that he’s a deadbeat dad, too: He hasn’t seen his teen son in years. When a young neighbor, Miguel, tries to befriend him, Johnny dismisses him: “Great, more immigrants,” he says. Then he tells the teen, “The only thing good about being here is I don’t have to talk to anybody.” But when Miguel runs into a group of bullies who pour a bottle of Pepto-Bismol over his head (a bottle meant to help alleviate his grandmother’s ailing stomach) and who punch him in the gut, Johnny intervenes, pummeling the lot into submission. (We see lots of hands and feet fly, as well as a couple of chokeholds made.)
Johnny gets sprayed with Mace by police. In flashback, we see Daniel and Johnny fight, and Johnny hammers on Daniel’s already-injured leg. Johnny and Daniel talk about the fight, with Johnny insisting Daniel’s finishing kick was illegal. There’s a reference made, in Spanish, to someone’s supposedly small male anatomy, and we hear another aside that apparently references the female genitals of an old spouse. Johnny plucks a dead rat from a gutter. There’s a reference to smelling like a septic system. Teens visit a convenience store to buy beer and, it’s said, condoms. Characters use the s-word eight times. Other profanities used include “a–,” “b–ch,” “d–n,” “h—” “p-ss” and “p—y.” God’s name is misused thrice, including once with the word “d–n.”
Paul Asay has been part of the Plugged In staff since 2007, watching and reviewing roughly 15 quintillion movies and television shows. He’s written for a number of other publications, too, including Time, The Washington Post and Christianity Today. The author of several books, Paul loves to find spirituality in unexpected places, including popular entertainment, and he loves all things superhero. His vices include James Bond films, Mountain Dew and terrible B-grade movies. He’s married, has two children and a neurotic dog, runs marathons on occasion and hopes to someday own his own tuxedo. Feel free to follow him on Twitter @AsayPaul.
Emily studied film and writing when she was in college. And when she isn’t being way too competitive while playing board games, she enjoys food, sleep, and indulging in her “nerdom,” which is the collective fan cultures of everything she loves, such as Star Wars and Lord of the Rings.
Kristin Smith joined the Plugged In team in 2017. Formerly a Spanish and English teacher, Kristin loves reading literature and eating authentic Mexican tacos. She and her husband, Eddy, love raising their children Judah and Selah. Kristin also has a deep affection for coffee, music, her dog (Cali) and cat (Aslan).
The Yogi Bear revival provides fun, if mindless, adventures for a new generation to enjoy.
While this British import captures gaming culture reasonably well, what we see on screen can be pretty graphic.
Chip and Dale are back and living out their crazy adventures and pranks in the city.
The Hippocratic Oath requires doctors to “do no harm.” But this doctor—and this show—break that oath with abandon.