Crime
Task
Max’s newest release, Task, takes audiences to task with a slow-burn storyline involving graphic violence, nudity and crude language.
“On March 21, 1963, Alcatraz officially closed. All the prisoners were transferred off the island. Only that’s not what happened. Not at all.”
That’s what actor Sam Neill solemnly says in commercials and during the opening of Fox’s Alcatraz.
So what, exactly, did happen?
If creator J.J. Abrams has his way, we might not know for several seasons.
Abrams, the man behind ABC’s landmark serial Lost, has something perhaps even stranger on his hands with Alcatraz—a mash-up of an episodic police procedural and a serialized sci-fi time-bender.
The prison’s last residents (more than 300) apparently just … disappeared—not through tunnels painstakingly dug with fingernail clippings, or on handy-dandy escape boats found mysteriously anchored on the shoreline. No, the prisoners just vanished—a public relations disaster for law enforcement if ever there was one. No wonder the concocted story that the inmates were transferred became the official record. The government simply couldn’t tell people that the country’s most notorious criminals up and—well, left somehow.
But now they’re reappearing, and they’re not just loitering in their old cells, waving to the tourists. These hardened convicts haven’t aged a day in 50 years; they’re still in their law-breaking prime, and they pick up right where they left off before they were arrested.
Who’s going to round the baddies up? Fox Mulder and Dana Scully would be naturals for this sort of thing, but they’ve not been seen on the network for years. So the job falls to FBI agent Emerson Hauser (played by Neill), who was at the Alcatraz docks when the criminals vanished and has been secretly preparing for them to return ever since. He’s joined by Rebecca Madsen, a rough-and-tumble homicide detective, and Diego “Doc” Soto, noted author, Alcatraz expert, lovable geek … and refugee from Lost.
Their adventures in time and prison space are dark ones. They bravely battle against some truly horrible people. And grim violence here is a given. Nightmares are optional, but certainly possible.
(Editor’s Note: Plugged In is rarely able to watch every episode of a given series for review. As such, there’s always a chance that you might see a problem that we didn’t. If you notice content that you feel should be included in our review, send us an email at letters@pluggedin.com, or contact us via Facebook or Instagram, and be sure to let us know the episode number, title and season so that we can check it out.)
Kit Nelson was imprisoned for killing children. And hours after zapping into our time, he kidnaps an 11-year-old boy. The team has 48 hours to get the child back alive.
We see flashbacks of the killer in Alcatraz, where he was despised among even the hardened criminals there. They beat him almost to death, and we see his horribly mangled face. It’s easy to infer an allusion to homosexuality and pedophilia in an inmate’s conversation with Kit. But Kit’s issues with children don’t stem from sexual desire, we learn. He killed his 11-year-old brother when he himself was still a child, and we hear a graphic depiction of what the strangulation looked and felt like from Kit’s point of view. He proceeds to painstakingly re-create the crime with his other victims.
We learn that Doc was also abducted at age 11. Someone is shot. Others are threatened. Kit forces his newest victim to jump into a lake and holds him under water. He gets angry whenever the boy doesn’t follow directions precisely. Hauser pushes over a desk. Someone talks about an enviable job being a “wet dream.” God’s name is casually interjected a half-dozen times. We hear “h‑‑‑” and “d‑‑n.”
Paul Asay has been part of the Plugged In staff since 2007, watching and reviewing roughly 15 quintillion movies and television shows. He’s written for a number of other publications, too, including Time, The Washington Post and Christianity Today. The author of several books, Paul loves to find spirituality in unexpected places, including popular entertainment, and he loves all things superhero. His vices include James Bond films, Mountain Dew and terrible B-grade movies. He’s married, has two children and a neurotic dog, runs marathons on occasion and hopes to someday own his own tuxedo. Feel free to follow him on Twitter @AsayPaul.
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