To say this is just another formulaic raunchy comedy is akin to saying the Pacific Ocean is just another place …
This movie, focusing on two small-town kids in small-town America, feels intimate in a way that sci-fi films rarely attempt.
Whannel has crafted a film that plays out more as cruel reality than science fiction.
Military Wives deals realistically with the reality of war and deployment—especially its effects on those who stay behind.
A strong undercurrent of introspection swirls about as Coogan and Brydon explore the inevitability of aging and mortality.
This big-screen take on Sega’s anthropomorphized cobalt cannonballer is mostly cute and cuddly.
By Pixar’s own high standards, Onward is a bit of a disappointment.
This horror pic becomes less and less credible—not to mention and less and less watchable—by the second.
As bleak and as uncomfortable as this film often feels, Downhill ultimately has some heartening things to say about marriage.
The promise of this witty, PG-rated period piece is briefly undermined by some surprising content.
Scoob! is a movie that doesn’t quite know what it wants to be when it grows up.
Sight & Sound Theatres’ JESUS is proof that sweeping, engulfing and emotional events are all at home on the stage.
REV wants to tempt viewers, through exotic cars and bikini-clad girls, into thinking it’s a Fast and Furious clone. It’s …
This classic man-and-dog adventure still has something to offer families looking for an old-fashioned, Disney-style escape.
