It’s a fast-paced, action-heavy story linked to the franchise’s games. It even attempts to strike a kid-friendly balance up on …
It’s not that this visually picturesque but overgrown pic is outright rotten. It’s just that it’s unpruned, shall we say.
Union Bound is based on the real-life diaries of Joseph Hoover, and it is determined to remind viewers that slavery …
Elvis & Nixon wants to grant us an engaging peek behind the curtain. A fictionalized, occasionally obscene peek behind the …
Criminal is a fitting name for this movie. Indeed, we could say, “This movie is Criminal” and leave it pretty …
The film somehow makes you feel like you’re simultaneously watching a well-oiled ensemble showcase and binge-watching a series of scatterbrained …
An audacious—and kind of awesome at times—update of the Rudyard Kipling-written, Disney-appropriated classic tale.
Numbness initially keeps Davis’ grief submerged, but the pain still leaks out, sometimes in the way Davis sees reality.
Throwing yourself headfirst into a garage-sized blender would be pretty gutsy, too. Though not much of a movie night.
God’s Not Dead challenges American Christians to grapple with the fact that freedom to express their faith is under fire. …
This ode to the early ’80s that takes its title from a Van Halen song is really all about perpetually …
While this movie’s violence doesn’t go beyond what we see in most Marvel flicks, the atmosphere here is so darkly …
Toula and her big fat Greek family are just as bold and brassy as you remember, just as warm and …
While this movie is marginally cleaner than its predecessors in terms of content, it’s unquestionably worse in terms of story.
This is a very human-feeling drama that’s still all about God’s priorities, God’s choices and God’s timing.
Through tense, clock-ticking drama and well-acted interactions, Eye in the Sky raises many questions about the new gray areas of …
The dramatic license taken by Rice comes across as wholly different from the likes of recent biblical epics Noah and …
It’s just too bad Hello, My Name Is Doris didn’t say good-bye to more of the genre’s other standard trappings—the …
Shock-schlock provocateur Sacha Baron Cohen seems incapable of creating anything less than incomprehensible foulness.
This is a horror movie, both intimate and sprawling in scope. And as a horror movie, it works. It works …
Even if the mayhem makes it past your familial sense of protectionism, the obscene language probably won’t.
Terrence Malick movies are like onions. Remove a layer, and there’s always another one to explore. And sometimes they can …
More carrots than you might expect to chew on while cabbing the kiddie crew home.
