Contributor: Paul Asay

It goes in some dark directions that plenty of viewers won’t want to go.

Capone shows us the sad end to a bad man, but for no discernible purpose.

Don’t go to Fantasy Island, my friends. Many who do so here regretted it, and it’s unlikely you’ll be the exception.

Strip away the language, airbrush out the blood, and you’ve got pretty much the same movie, only better.

Filled with creepy occultism, Gretel & Hansel is made of gingerbread: Alluring to look at, but structurally and morally hollow.

The content here is so extreme, on basically every level we document here at Plugged In.

In Two and a Half Men producer Chuck Lorre’s hands, we can be sure of one thing in this CBS sitcom: The mothers don’t know best.

Through this terrible family, we see what a good family looks like—and why, in fact, it’s so important.

Hulu and FX give us a riveting portrait of Phyllis Schlafly. Whether it reflects the real person or gives voice to the values she represented, is doubtful.

This low-budget sci-fi movie’s popularity on Netflix won’t be augmented by Plugged In’s review of it.

Jump Shot does more than sate a basketball craving. It gives us a picture of a man who seems to deserve the title of hero.

Quibi’s action thriller stars Liam Hemsworth as a man running for his life in more ways than one.

UPDATED REVIEW: Three families. Four fathers. Even more giggles and guffaws. So what does it look like when ABC presents the “new-and-improved” family unit?

In CBS’ alphabet soup of acronym-laden shows, NCIS floats in the very center. So lots of folks seem to be able to stomach it. But has anyone really read the nutrition label?

The show is, in short, far more confused about its path than its young protagonist. And that leaves Home Before Dark stuck in the content twilight.