Contributor: Paul Asay

Paul Asay has been part of the Plugged In staff since 2007, watching and reviewing roughly 15 quintillion movies and television shows. He’s written for a number of other publications, too, including Time, The Washington Post and Christianity Today. The author of several books, Paul loves to find spirituality in unexpected places, including popular entertainment, and he loves all things superhero. His vices include James Bond films, Mountain Dew and terrible B-grade movies. He’s married, has two children and a neurotic dog, runs marathons on occasion and hopes to someday own his own tuxedo. Feel free to follow him on Twitter @AsayPaul.

The Girl on the Train

While the movie leads us through its mystery via a trailing of crumbs, its problematic content comes at us in gratuitous waves.

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Denial

Denial is anchored by strong acting and even stronger subject matter: The importance of protecting truth and history. And it does so while staying relatively clean.

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Masterminds

By PG-13 standards, Masterminds doesn’t push the envelope to the edge in terms of sexual content, violence or profanity. But, man, the film’s underlying, conscience-free ethos is just sad.

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Queen of Katwe

Queen of Katwe is a story about hope—and about the courage, determination and skill that goes hand-in-hand with that hope.

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Storks

Even in films otherwise chockfull of uplifting, pro-family messages, parents have to stay vigilant to the very end.

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The Magnificent Seven

This violent remake presents its seven stars as flawed heroes—bad men with good hearts who sacrifice themselves to deal with even worse men.

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Bridget Jones’s Baby

Bridget Jones’s Baby wasn’t a horrible movie. It’s funny in places. But even though I laughed, it made me sad, too. Sad that the definition of integrity is now whatever we want it to mean.

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Sully

Eastwood’s Sully is a deeply humanistic movie in the best possible way.

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The Disappointments Room

This movie’s title is fitting: It’s a disappointment all the way ’round.

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Hands of Stone

At its core, Hands of Stone is a movie about men pounding each other into submission, even to the point of humiliation.

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Mechanic: Resurrection

Mechanic: Resurrection is the Donkey Kong of the cinematic world. There’s not much of a plot, and what there is doesn’t make a lot of sense. But there is a girl to save, a bad guy to beat.

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Florence Foster Jenkins

Florence Foster Jenkins reminds us all that, sometimes, passion trumps perfection. That what we love doesn’t always make sense.

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Sausage Party

We need about as much nuance to review this sick flick as comedian Seth Rogen used restraint in making it. If I see a movie that’s worse than Sausage Party this year, it will be a sorry year indeed.

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Suicide Squad

While it’s not quite as grim as Batman v Superman: Dawn of Justice, it’s even more problematic, and it’s certainly not the tonic that Warner Bros. hoped it would be.

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The Little Prince

Just because the movie isn’t quite as good as the book, that doesn’t make it a bad movie.

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