Contributor: Paul Asay

Can You Ever Forgive Me? feels erudite, entertaining and, in the end, utterly empty.

First Man puts flesh on a marbled hero, complexities, flaws and all.

Underneath the scars and flaws, underneath the mistakes we make and the falls we take, a tiny glow of our God-given beauty lingers.

As palpable as these talented actors’ chemistry may be, moviegoers should approach this film with deep caution.

As this movie suggests, gold ain’t the only thing that can do bad things to our souls.

This film is literally about showing the worst in all of us, and as explicitly as seems possible.

This movie feels messy in every which way.

Along with its spirituality, The Nun invites a whole host of supernatural grotesquerie to the party.

This film blends its eerie atmospherics with brief moments of terrible, frighteningly realistic bloodshed.

I’ve seen worse movies this year. But I don’t know if I’ve seen anything that made me more sad.

Mile 22 is dumb, frenetic and oh-so bloody—a feature-length romp through a hurricane of fists and feet and death.

You might want to think twice before you and your family wolf this one down.

Slender Man is just a bad movie, and bad in every possible way.

This film wasn’t made just for kids. It was made for us—the adults who fret about our own Very Important Things.

The movie’s well-meaning messages are undercut, sometimes literally, at every turn.