Contributor: Paul Asay

Red Widow is, in many ways, all about family. But that doesn’t make it a family show.

And behind door No. 3 we have … a bunch of junk somebody just spent $3,000 on. Why? Because somebody else didn’t—or couldn’t—pay his storage bill.

It’s tough to be a young adult trying to live in the 21st century. Especially if you’re dead.

The Two Popes proves that you don’t need to embrace egregious content to craft a thoughtful and engaging film.

Grace is found here. But for our purposes, it’s bought with a price.

Perhaps the most important message we can take away from Marriage Story is quite simple: Divorce is horrible.

Director Martin Scorsese’s Netflix-based The Irishman feels a little like a particularly bloody version of Forrest Gump.

While the surprisingly earnest message here is refreshing, it’s still submerged in a stew of violence and profanity.

The Great Alaskan Race is not a great movie. But it does tell a great story.

Despite its clever central gimmick, Gemini Man feels a little more tedious and tawdry than it ought.

Joker begs for a hero. It gives us a clown. Gotham seeks salvation and finds only blood.

We’ve been treated to some provocative sci-fi films recently, from Gravity to Interstellar to Arrival. Ad Astra aims for the same orbit.

You can’t keep a bad clown down. And Pennywise is a very, very bad clown.

For fans of the sport, or those who like to see nice guys finish first for a change, you could do worse.

One Child Nation is a powerful, difficult and in some ways contradictory documentary.