Contributor: Paul Asay

Strong fences make for good neighbors, they say. But for every rule’s there’s an exception. And the exception to this one has to do with … aliens.

Every small town harbors its share of secrets. But Midnight has more than most.

UPDATED REVIEW: Murder She Wrote for Gen Xers, this mystery sendup is loaded with screwball comedy, deadpan delivery and obscure ’80s references.

Well, not exactly. But close enough for Fox’s comedy standards. (Which won’t necessarily be yours.)

Is GCB trying to demean your faith? Or just the “faith” of its characters? And how much does it even matter when there are so many other reasons not to give much weight to what it thinks?

While the twists and turns might be different, the problematic content is much the same.

It’s a summertime medical procedural, but with half-dead spirits walking the halls. With a setup like that, you’d think Saving Hope would be at least a little different.

Stephen King’s 11.22.63 would, in terms of its story and sci-fi vibe, feel right at home in 1960s. If it didn’t have all those f-words, of course.

Moooommmmmm! Plugged In is publishing a review of our show! On Disney Channel, Phineas and Ferb are whiling away their summer vacation with outlandish, reality-twisting pastimes—as their sister tattles.

While Madam Secretary has its problems, it’s better and cleaner than we’ve seen lately from any of the other Washington-based dramas.

Nice and sweet, with a bit of bathroom humor mingling amid character lessons.

This show is clearly more preoccupied with who’s sleeping with whom than whether someone might be part of a sleeper cell.

Netflix’s new dystopian drama leaves a lot to be desired and very little to the imagination.

UPDATED REVIEW: The Horseman doesn’t have a head … and this whole show seems to survive without a brain.

Pokémon XYZ reminds me of the Hanna-Barbera cartoons I watched as a kid: The good guys were good, the bad guys were silly, and no one ever really got hurt.