Contributor: Paul Asay

September 5—even for those who know how the story will end—proves to be riveting, taut and, at times, hard to watch.

Homestead takes Christian film in a daring new direction: the world of dystopian drama. It delivers strong acting, unexpected nuance and … some problems, too.

‘Wolf Man’ comes with some interesting undercurrents, the movie’s most obvious flow comes with plenty of blood.

Dog Man, a PG film based on the graphic novel series by Dav Pilkey, had a tail-wag worthy debut this weekend, digging up $36 million in North America.

‘The Ten Commandments’ doesn’t stick precisely to the original Exodus/Numbers script. But it doesn’t forsake it, either.

Sing Sing isn’t religious. And yet, we hear the rhythm of redemption here. We see humanity in this inhuman environment.

What does Plugged In think about the Oscar nominations? And what do families need to know about the new film, ‘Green and Gold’?

Babygirl is about more than sex. But sex is a huge—and extraordinarily problematic—part of the movie. And that should make us very cautious indeed.

When the Oscar nominations came out last week, ‘Dune: Part Two’ racked up five nominations in total—half of what ‘Dune: Part One’ did …

Flight Risk became the second offering from Lionsgate’s studio to land at No. 1 this year. The Mark Wahlberg film earned just an estimated $12 million in North America.

Who ya gonna call? Why Plugged In, of course, to get the skinny on a big fat classic comedy from 1984, now being re-released 30 year later.

The Plugged In Movie Awards are back. This week, our nominations for Best Movies for Kids!

This math-centric thriller comes with an interesting premise. But Prime Target comes with some primary problems, too.

‘Henry Danger: The Movie’ is both clever and crass—and for those unfamiliar with the original show, the latter may be a deal-killer.

Why is everyone obsessed with TikTok and short-form videos? Plus, an interview with Elizabeth Tabish about her new film, ‘Between Borders.’