Contributor: Adam R. Holz

Greta Van Fleet’s buzz-generating songs pay homage to Led Zeppelin and the spirit of the late ’60s, for better and for worse.

Once upon a time, Taylor Swift’s songs offered fans a relatively wholesome alternative to racier pop. Those days are over.

Blake Shelton understands exactly what it takes to make a hit country album. Which is both good … and not so good.

Sam Smith’s haunting tenor plumbs the depths of despair as he sings confessionally about his failed same-sex relationships.

Last Flag Flying is a powerful, emotive film. That said, it’s also an extremely profane one.

A Bad Moms Christmas is at times sweet, often silly, but almost constantly salacious.

Kelly Clarkson’s latest effort finds her getting in touch—by her own admission—with her inner Aretha Franklin.

Some might watch a movie like this and say, “That never happens.” But Kevin Sorbo’s own story suggests otherwise.

This reboot offers another excuse for its makers to mangle human flesh in order to reap box office rewards.

Selena Gomez’s latest tells the story of a young woman haunted by the intoxicating memories of intimacy she hasn’t found since.

Taylor Swift continues to drift toward the kind of airy, hedonistic vapidity that her younger self would have rejected.

This profound story reminds us that no matter how deep the differences that separate us, just a bit of love may help us to see others’dignity.

This film’s characters are often heroic. Its language often isn’t.

Though trailers for this film have tried to amp it up as a horror movie, The Snowman isn’t that. Instead, it’s a brutal, bloody whodunit.

This movie has as many content concerns as it has difficult-to-believe plot points.