Contributor: Adam R. Holz

After serving as an associate editor at NavPress’ Discipleship Journal and consulting editor for Current Thoughts and Trends, Adam now oversees the editing and publishing of Plugged In’s reviews as the site’s director. He and his wife, Jennifer, have three children. In their free time, the Holzes enjoy playing games, a variety of musical instruments, swimming and … watching movies.

Connection

With so much technology to connect us, why are we so lonely? That’s the question OneRepublic ponders in “Connection.”

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Born to Be Yours

This collaboration between Imagine Dragons and Swedish EDM producer Kybo teeters between hope and futility.

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ye

Kanye West’s latest album has some genuinely nice moments … and some of his most disturbingly problematic lyrics ever.

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Upgrade

Upgrade leads viewers to some very nasty places itself as it bloodily rams home its legitimate cautionary message.

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Simple

Some songs are complicated. Some aren’t. The latest single from this country duo lands in the latter category.

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Book Club

What could have been a tender story about the struggles of four aging friends is ultimately crippled by its “naughty” obsessions.

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This Is America

Does depicting violence force us to confront injustice or merely desensitize us more? “This Is America” begs that question.

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Graffiti U

Positive themes outweigh problems on Keith Urban’s latest. But there’s still enough sippin’ ‘n’ swearin’ to warrant a warning.

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Rearview Town

There’s no life experience that can’t be marinated in alcohol, if you take Jason Aldean’s songs here at face value.

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Rampage

This is a typical Dwayne Johnson movie: Buildings explode, the end of the world is near, and only one man can save the day

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Let Me

The latest hit from this former One Direction singer begins lustily but takes a surprising turn toward commitment after that.

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Youngblood

The latest hit from this Australian boy band involves two people whose romance has devolved from vows to vindictiveness.

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Chappaquiddick

If you’re expecting an exposé addressing unanswered questions about the events of July 18, 1969, prepare for disappointment.

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God’s Not Dead: A Light in the Darkness

This film does something unexpected: It suggests that winning the culture war isn’t what matters most for Christians.

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I Can Only Imagine

I was skeptical that a movie based on a song could work—no matter how great that song was. But I’ll admit it, I was wrong.

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