Gray Matter feels rushed, and despite a few nice scenes, its content fails to fall into a gray area.
The latest entry in this violent, suicide-filled franchise isn’t as well crafted as the original Bird Box from 2018.
National Lampoon’s Vacation is back in theaters after 40 years. How might four decades change our perspective on its jokes?
Is Wes Anderson’s Asteroid City yet another case of style over substance? Or is there something more in its orbit?
This provocative movie is all about sin, but it doesn’t seem to take the church very seriously.
This sharp, subtle character study demands patience and comes with problems. But it offers its own quiet rewards, too.
Yes, The Blackening is funny. But the content issues in this horror-comedy might leave you running for cover.
We’ve all heard about the overbearing in-law. But The Out-Laws is pretty overbearing in its problematic content, too.
Nimona is a futuristic medieval tale that’s actually a fable for gender fluidity.
The Machine uncorks Bert Kreischer’s madcap “origin story” and feels like a mashup of Napoleon Dynamite, Paul Blart: Mall Cop …
This well-choreographed actioner unleashes two hours Chris Hemsworth in a ballet of brutality that might make Thor blanche.
Kandahar is another gritty Gerard Butler war-battle actioner that’s packed with violence, profanity and anti-American sneers.
I think I might be afraid for anyone who goes to watch Beau Is Afraid.
As the Fast & Furious franchise winds down, this entry features a few storyline surprises. But its content concerns are …
Director Guy Ritchie’s latest story is a straightforward movie about sacrifice, responsibility and war—an intense, bloody war.