The King’s Man ostensibly critiques terrible, senseless violence while at the same time giving us plenty of it.
In this gruesome sequel, we watch the only scenario in which gun-wielding Texans cannot beat one guy with a chainsaw.
Director Steven Soderbergh’s latest thriller explores the complicated intersection of assault, technology and responsibility.
I Want You Back’s foul language, crude talk and awkward sexual silliness undermines it’s sweet date-night movie vibe.
No animals were hurt in the making of this movie. But its stars? Oh, they most certainly were.
There’s arguably very little in the way of a clear message or moral to this wolfy tale, if you’re looking …
C’mon C’mon’s redemptive story about an uncle’s tender relationship with his nephew has some unfortunate rough edges.
House of Gucci, starring Lady Gaga, is sorta like a knock-off Gucci purse left out in the rain.
Rather than being the creative rebirth this film’s title suggests, The Matrix Resurrections is more like a greatest hits reprise.
This movie is a mess in pretty much every way you’d like to slice it. (And slice this movie does.)
The Tragedy of Macbeth is rated R for blood and violence, a reminder even classics can still contain problematic content.
The Tender Bar has some nice family messages—wedged between a lot of obscenities and other tough content.
Style, nostalgia, and cinematic panache can’t hide this pic’s cringe-worthy levels of content.
The movie reminds us that motherhood is hard. But watching a bad mother ignore her kids and cheat on her …
National Champions has passion to spare, but it’s more diatribe than compelling story.