Whether or not Rachel is victim or villainess, though, one thing’s pretty certain here: Wherever she goes, seduction, disarray and …
Everything, Everything invites us to root for and to romanticize a teen’s decision to potentially risk her life for a …
Families that don’t embrace Beauty and the Beast’s pro-gay moments will be forced to grapple with how best to respond …
Table 19 delivers an unexpectedly sweet ending by the time the credits role. Less sweet, however, is this PG-13 film’s …
This movie might appear to be a just another sci-fi drama. But it’s really more of a boys-are-from-Mars, girls-are-from-Venus coming-of-age …
If Passengers teaches us anything, it’s only as an afterthought. The film is an entertainment vehicle. And like the spaceship …
It’s sad this film about Howard Hughes lacks any sort of real moral underpinning. It seems the makers took its …
Priceless does an admirable job of helping us see and sense the danger of the carnal world of human trafficking …
Bridget Jones’s Baby wasn’t a horrible movie. It’s funny in places. But even though I laughed, it made me sad, …
If there is a point in this mostly pointless movie, it seems Woody Allen is asking: Why choose? Why worry? …
Call it an 18th-century romcom, if you will, a silly, sometimes winkingly salacious warm-up for the likes of Sense & …
Toula and her big fat Greek family are just as bold and brassy as you remember, just as warm and …
While this movie is marginally cleaner than its predecessors in terms of content, it’s unquestionably worse in terms of story.
It’s just too bad Hello, My Name Is Doris didn’t say good-bye to more of the genre’s other standard trappings—the …
Feels a lot like all of its extras: mostly dead.
