It’s a horror movie, but The Watchers stays within its PG-13 confines. Too bad it wanders away from sensible storytelling.
I Saw the TV Glow is weird little film—both provocative and problematic and plenty creepy besides.
This paint-by-bloody-numbers slasher flick brings little more than effective jump scares to its hackneyed and cliched plot.
The horror flick Sting has a few heartwarming moments, but it’s also as good as its name, stinging both eyes …
Abigail serves up exactly what you think it would: blood and gore and language and laughs. Then more blood and …
Ridley Scott’s groundbreaking sci-fi horror film returns to theaters, no less terrifying—or gory—than it was in 1979.
More nunsploitation than horror, this pic has some gruesome religious commentary hidden beneath its black-and-white habit.
Imaginary kinda skimps on the imagination side of things, instead tossing a bunch of horror tropes together to see if …
Brutal and bloody, this Stone Age horror flick doesn’t, as the title seems to promise, take us out of darkness: …
Lisa Frankenstein is a crawl-from-the-grave ‘80s-esque send-up with a comedic twist and a whole lot of foul content worms.
What begins as an intriguingly creepy premise ends as a waterlogged drain plug in need of rewrites.
Dream Scenario deftly, sometimes brilliantly, skewers are celebrity culture. But the content here can be a nightmare.
Eli Roth’s latest is stuffed with profane torture porn and oven-roasted carnage. Not for the weak of heart or stomach.
The Canterville Ghosts’s spiritual elements might make it a non-starter for some families, but it’s not entirely unnavigable for parents …
A Haunting in Venice, Kenneth Branagh’s third turn as Hercule Poirot, is the best of the lot. But it still …