While the road that ‘Sinners’ sets us on comes with some compelling sights and memorable sounds, the content ride is …
Perhaps we can turn away from this paganistic horror flick and instead focus on something much more God-honoring.
‘Warfare’ is as good as its name, as realistic and searing a depiction of modern urban battle as you’ll likely …
Ah, unicorns, those beloved fantasy friends. Yeah, well, not here. In ‘Death of a Unicorn,’ foolish humans learn why you …
‘Locked’ pits two deeply unsympathetic characters against each other in a taut, gruesome morality play about crime and punishment.
Imagine a horror-comedy smoothie with Scream, Friday the 13th and Forrest Gump as the ingredients. Does that sound like it’d …
Ash is a jumbled sci-fi horror flick that seems far more interested in making its characters bleed than it does …
‘In the Lost Lands’ is a bloody fairytale of corrupt churchmen, a werewolf and a witch, all wrapped in grime, …
Night of the Zoopocalypse is baby’s first zombie survival horror film, with all the bloodless violence that that implies.
‘The Woman in the Yard’ uses creepy horror to sketch out its metaphorical lesson.
For all its outrageous levels of gore, The Monkey comes with a serious message or two. But yeah, the gore …
‘Opus,’ the latest horror film from A24, attempts to comment on faith and society. But it’s a gory composition.
‘Heart Eyes’ is eardrum-scorchingly foul, and its flesh-hacking is gruesome and brutal (even when it’s trying to elicit a smile).
Despite the presence in Presence being entirely invisible, there are plenty of content issues that failed to follow suit.
‘Companion’ offers a twisting story and some compelling thoughts about AI. But that’s short-circuited by gushing gore and profanity.