In its graphic depictions of its Nazi horrors (and horrific Nazis), Overlord goes overboard.
The nasty web this sequel weaves is still sticky with R-rated problems.
When someone’s running for public office, should their private lives be scrutinized?
The Holiday Calendar is a sweet movie that highlights the value of meaningful relationships.
Same-sex attraction is a complex issue, requiring a response full of grace and truth. But both biblical virtues get badly …
This biopic ultimately (and perhaps unintentionally) depicts the outcome of Freddie Mercury’s choices as a tragedy.
This movie’s just terrible. Terrible aesthetically, terrible ethically, terrible in every which way a movie can be.
This poignant war story delivers its message of faith in a natural, organic way. It gently shows rather than tells.
Beyond the horrific thrills and chills, beyond the cathartic showdown, slasher movies are about one thing: death.
Can You Ever Forgive Me? feels erudite, entertaining and, in the end, utterly empty.
This grim indie thriller tries to be many things at once—like an unlikely Agatha Christie-Quentin Tarantino mash-up.
Underneath the scars and flaws, underneath the mistakes we make and the falls we take, a tiny glow of our …
This is a film you can’t unsee, one that may very well change the way some viewers understand the tragedy …