Despite its impressive pedigree, Widows is ultimately snared in its own web.
Instant Family offers a poignant, comedic and at times profane portrait of the ups and downs of becoming foster parents.
This film can be, much like van Gogh’s paintings, beautiful and ugly and deep.
In its graphic depictions of its Nazi horrors (and horrific Nazis), Overlord goes overboard.
When someone’s running for public office, should their private lives be scrutinized?
The nasty web this sequel weaves is still sticky with R-rated problems.
This movie’s just terrible. Terrible aesthetically, terrible ethically, terrible in every which way a movie can be.
Same-sex attraction is a complex issue, requiring a response full of grace and truth. But both biblical virtues get badly …
This biopic ultimately (and perhaps unintentionally) depicts the outcome of Freddie Mercury’s choices as a tragedy.
All it takes is one evil madman to ruin it for everyone. Then again, it only takes one hero to …
This poignant war story delivers its message of faith in a natural, organic way. It gently shows rather than tells.
Johnny English is no James Bond. But he’s no great friend to the family, either.
Beyond the horrific thrills and chills, beyond the cathartic showdown, slasher movies are about one thing: death.
Can You Ever Forgive Me? feels erudite, entertaining and, in the end, utterly empty.