Our verdict, in this case, is to use all due caution.
The Glorias rejects complex character building and storytelling in favor of a fairly rote sermon featuring fairly wooden icons.
This sympathetic cinematic portrait of Ruth Bader Ginsburg prods viewers to ponder important questions about equality.
Unpregnant would have us believe that abortion is something to be celebrated, not mourned.
Cuties gratuitously, excessively indulges in the very images and ideas it’s supposedly criticizing.
Given how often the characters here jump in and out of bed with anyone who wanders by, it’s no wonder …
This true story of corruption tips its soiled hand early on: We know where it’s going, and we know it’s …
This movie is less interested in blue-state and red-state ideology than its suggestion that, in some ways, we’ve all been …
This is, primarily, a horror movie—with a little bit of John Hughes’ Breakfast Club thrown in for good measure.
For all of Chemical Hearts’ lessons about teenage love and heartbreak, it’s not a film that most parents would want …
This pic has well-acted moments and a dark polish, but it’s bloody, profane, boozy and grim.
Brutal violence, profanity and drug use ultimately undermine this pseudo-superhero project’s empowerment aspirations.
Despite its feel-good messages about friendship and perseverance, The High Note still hits some low notes, too.
Made in Italy is rightfully rated R for its harsh language, it also teaches the importance of drawing closer to …
Leonardo DiCaprio, you might say, has a dream job. After he punches the clock as Cobb, he jumps into … …