‘Slanted’ applies bloody body horror and teenage rebellion to tell a cautionary tale about a teenage girl’s insecurities regarding her …
Unquestionably effective, ‘Undertone’ may be the year’s scariest movie—but it’s a difficult, disturbing and demonic ride.
‘War Machine’ tortures its PTSD-ridden Army vet protagonist by throwing him in an alien survival situation—one with few redeeming qualities.
‘The Bride!’ is a malformed creation featuring an effervescent, chaotic lead and whole lot of foul, foul mess.
‘Protector’ uses the horrors of human trafficking as a springboard for a voyeuristic killing spree—with lots of blood and language.
‘Dolly’ is devoid of ethical merit and proud of it. It is a ridiculous exercise in gore production—and unapologetically so.
The meta vibe of the Scream franchise has degenerated into just plain meh. And while ‘Scream 7’ cranks up the …
The Charli XCX mockumentary ‘The Moment’ self-describes itself as decidedly not family friendly, which makes our job a whole lot …
Oscar nominee ‘The Secret Agent’ isn’t really about spy work. It’s just an odd, bloody, foul and painfully slow film.
The Revenant, like the land it depicts, is beautiful, brutal and unforgiving.
‘Dead Man’s Wire’ is indeed a well-made movie—as tightly wound as a wire itself. But this movie, too, is tethered …
Director Christophe Gans returns to put the ‘Silent Hill 2 ‘video game up on the big screen. It’s a bloody …
‘This Is Not a Test,’ is a low-budget, predictable, surprisingly effective and woefully grotesque zombie film.
‘How to Make a Killing’ holds a subtle, surprisingly biblical view of money. But its content issues will harm a …
Skipping ‘28 Years Later: The Bone Temple,’ even if it means leaving the franchise behind, just might be the best …