Refusing to be done in by a breakup, Leto notes, “A new day is coming and I’m finally free … Without you I can finally see” (“Attack”). Anticipation of personal growth and discovery also shows up on “The Story” and “R-Evolve.” The anthemic “From Yesterday” appears to be pondering the vise-like grip of addiction. Leto realizes the futility of trying to be someone he’s not (“The Kill”), however …
His angst on that track borders upon rage (“Break me down/Bury me, bury me/I am finished with you”). “Savior” shakes a fist at blind faith and only trusts in what can be seen. An s-word and the expression “I swear to God” mar “From Yesterday” and “The Story,” respectively. On “A Beautiful Lie” Leto calls himself “a selfish b–tard” and posits that life is just a game, so “try to let go of truth.” “The Fantasy” relates a passionless one-night stand with a stranger.
Unlike cocky Hollywood peers who front bands for fun, Leto takes his music as seriously as his acting. The co-star of Urban Legend, Fight Club and Panic Room told Entertainment Weekly, “I’m an actor and a musician. I don’t need to apologize for either.” He’s sure not apologizing for these lyrics, some of which will alienate the same discerning families that have avoided his movies.
