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The Neighborhood

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Paul Asay

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People don’t get to know their neighbors as well as they used to. Typically, we don’t chit-chat over the back fence or knock on the door asking for sugar. And that, my friends, is a shame.

‘Course, it could be worse. You could have Dave and Gemma Johnson living next door to you. And that might make you long for the days when neighborhood interactions were sequestered to a friendly wave.

Odd Couples

It’s not that Dave and Gemma aren’t nice. In fact, they’re so nice that you’d think they came from an old Care Bear episode—or at the very least from Canada. And indeed, they used to live close to our neighbors to the north: Michigan, to be precise, and apparently the happiest, most friendly corner of the state that can be found.

Thing is, their new neighborhood in Los Angeles isn’t quite used to all that aggressive Midwestern congeniality.

Then, of course, there’s this: The Johnsons are white—as white as a couple can apparently be. The neighborhood they’re moving into is predominantly black. Some residents look at the Johnsons’ moving truck and initially said, “Well, there goes the neighborhood.”

Calvin Butler was among those doubters at first. When the Johnsons moved in right next door, his wife, Tina, and sons Malcom and Marty welcomed Dave and Gemma despite their strange ways. But Calvin initially wasn’t so sure about the pale presence across the property boundary. And frankly, he still has days when Dave’s relentless, chipper gregariousness rattles his nerves. Whole weeks, maybe.

But even he must acknowledge that the Johnsons are good people and that they add something special to the neighborhood. And Dave and Gemma are slowly learning how to fit in a little better, too.

Ring That Doorbell

CBS’s The Neighborhood offers a newish twist on the age-old, fish-out-of-water sitcom, wherein someone moves into a neighborhood where they don’t quite belong. We saw it way back when with The Beverly Hillbillies, Green Acres, even The Munsters—all of which, interestingly enough, aired on CBS back in the day.

This CBS sitcom isn’t quite as original as those shows, trying to be both more conventional and more culturally relevant all at once. It gently pokes fun at our racial and cultural differences in a particularly sensitive time, drawing appropriate lessons where and when it can. That said, it doesn’t seem to have grand aspirations to become a television classic or cultural touchstone—merely just filler on the network schedule as network television itself slips slowly into transitional irrelevancy.

Still, to whatever degree The Neighborhood is relevant, it plays reasonably well with others. It feels, in fact, like a sitcom we might’ve seen 20 years ago, a mostly family-friendly offering from a bygone age. Language can be a bit of a problem. But for the most part, it still feels pretty clean. Which is great and, honestly, a bit unusual in these days of shows vying for eyeballs with ever-growing lists of content issues.

The Neighborhood, like all neighborhoods, isn’t free from some problems. But it feels relatively safe—the sort of place where you could sit for a spell on the porch and drink a glass of lemonade. And that’s more than we can say for many a television neighborhood.

(Editor’s Note: Plugged In is rarely able to watch every episode of a given series for review. As such, there’s always a chance that you might see a problem that we didn’t. If you notice content that you feel should be included in our review, send us an email at letters@pluggedin.com, or contact us via Facebook or Instagram, and be sure to let us know the episode number, title and season so that we can check it out.)

Episode Reviews

Nov. 19, 2018 – S1, E8: “Welcome to Thanksgiving”

Dave and Gemma invite Calvin and Tina over for Thanksgiving dinner, but then try to disinvite them when Dave learns that his older, small-town and embarrassingly outspoken mother is coming, too.

“Oh, she’s racist!” Tina confirms.

Not exactly, but she does assume that Tina and Calvin’s son Marty must’ve gone to college based on a sports scholarship, and she further assumes that Calvin must work at a rap radio station when she learns that he’s an engineer. She blurts out a number of other insensitive things, too, including calling Calvin a “grease monkey.” And when Calvin takes offense, she suggests that it’s because black people are “always so sensitive.”

But when Dave tells his mother how much she embarrasses him, Calvin tells Dave that he should be the one to apologize—to her. “She’s not gonna change,” Calvin says. “But she’s also not going to be around forever. And when she’s gone, I don’t care how much she embarrasses you. You’re gonna miss her like you never missed anybody before.”

Calvin toasts to friends and family before Thanksgiving dinner with a glass of wine. Dave serves mixed drinks even earlier to “get ahead” of the impending disaster; and when his mom starts talking, he mutters that he should’ve made the drinks stronger. Tina sips wine in the kitchen.

We hear lots of racial stereotypes uttered and repeated. Dave’s mother’s conservative leanings (including her choice of news networks) are ridiculed. Characters say “a–” and “d–n” twice each.

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Paul Asay

Paul Asay has been part of the Plugged In staff since 2007, watching and reviewing roughly 15 quintillion movies and television shows. He’s written for a number of other publications, too, including Time, The Washington Post and Christianity Today. The author of several books, Paul loves to find spirituality in unexpected places, including popular entertainment, and he loves all things superhero. His vices include James Bond films, Mountain Dew and terrible B-grade movies. He’s married, has two children and a neurotic dog, runs marathons on occasion and hopes to someday own his own tuxedo. Feel free to follow him on Twitter @AsayPaul.

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