Contributor: Paul Asay

Benjamin Goodwin was not a good father. Now he wants to make up for that … from beyond the grave. Let the sitcom games begin!

This is a crime thriller where few people actually wear black or white hats—but there’s always plenty of Red.

UPDATED REVIEW: Is it good to be the king? We don’t even want to be in this kingdom.

Sacha Baron Cohen’s latest endeavor on Netflix is about as far from Borat as it could be.

CBS’s new drama asks provocative questions about the future of crimefighting. But like similar shows, it comes with its own content issues, too.

Millennials behave badly here. Their parents can be worse. And all those pretty faces don’t make all that content any less ugly.

This reimagining of Anne of Green Gables, can be, like its title character, sweet. But it has its sour moments, too.

If television is comfort food, this is its homemade meatloaf.

Just because a sitcom includes the word family in its title doesn’t mean it’s a family show. Let’s put this another way: Tim “The Tool Man” Taylor wouldn’t even recognize this family business.

Hulu’s adaption of Joseph Heller’s revered 1961 satire mingles comedy, cynicism, sex and horrific violence.

In terms of problematic content, James Bond would feel right at home in this Revolutionary War espionage drama on AMC.

UPDATED REVIEW: Do the Amish really have their own mafia? Discovery says yes. So what follows here is a lesson in not believing everything you see on TV.

We talk a lot about our American penchant for stuff and how we can’t ever get enough of it. But for some people, that’s not hyperbole: It’s reality. And it makes for very sad reality TV.

Can Napoleon Dynamite blow up TVs like he did movie screens back in 2004? Or will he end up getting squished like a pocketful of tater tots?

Based on a handful of masochistic Japanese game shows, Wipeout pits colorful contestants against cartoonish obstacle courses.