The Electric State
The Electric State is almost nothing like its original source material, and while it may come with less content, it doesn’t come with none.
I’m Still Here
The true story of ‘I’m Still Here’ juxtaposes familial tenderness and political violence, gritty determination amid personal devastation.
Between Borders
Timely and compelling, ‘Between Borders’ tracks an Armenian family looking for home—and finding one in the Church.
Heart Eyes
‘Heart Eyes’ is eardrum-scorchingly foul, and its flesh-hacking is gruesome and brutal (even when it’s trying to elicit a smile).
Memoir of a Snail
The redeeming qualities that may exist in Memoir of Snail are overshadowed by a focus on the violent and sexual themes of this dark world.
O Brother, Where Art Thou?
While not without some content issues, this film set in the 1930s American South tells a powerful story of faith, failings and the redemptive power of God.
Presence
Despite the presence in Presence being entirely invisible, there are plenty of content issues that failed to follow suit.
Love Hurts
‘Love Hurts’ is a curious sort of a Valentine’s Day movie—a movie with a little heart and a whole lot of blood.
A Complete Unknown
‘A Complete Unknown’ delivers an engaging portrait of Bob Dylan’s music. But its script and its content falls flat.
Armand
The Norwegian film ‘Armand’ is an acting showcase for its star, Renate Reinsve. But it showcases some problematic content, too.