Captain America: Brave New World
There are a few nice things about this cap and his tale. But maybe not enough to be worthy of a hearty ‘Family Assemble!’
The Alto Knights
Director Barry Levinson has created a taut and textured mob movie. But that doesn’t make it an easy trip to the theater.
A Working Man
‘A Working Man’ unleashes a former black-op soldier to eviscerate human traffickers. But will it leave you cheering … or blanching?
The Woman in the Yard
‘The Woman in the Yard’ uses creepy horror to sketch out its metaphorical lesson.
Eric LaRue
‘Eric LaRue’ is an incoherent exploration of the fallout of a school shooting from the perspective of the perpetrator’s parents.
In The Lost Lands
‘In the Lost Lands’ is a bloody fairytale of corrupt churchmen, a werewolf and a witch, all wrapped in grime, torment and shadow.
Novocaine
The premise of ‘Novacaine’—a man who’s unable to feel pain—yields a brutal gorefest intended to shock and awe anyone watching and wincing through it.
The Monkey
For all its outrageous levels of gore, The Monkey comes with a serious message or two. But yeah, the gore is still there, as well.
Magazine Dreams
In Magazine Dreams, we’re reminded why Jonathan Majors was such a big deal. But the film itself is less a dream and more a depressing slog.
No Address
No Address sheds a light on homelessness, personalizing the issue in all its difficulty to motivate audiences to help combat it.